This just makes me smirk a little too much, though. When Mike smirks, it usually manifests itself as a blog post. And you all have to suffer.

In case you have been living under a DBZ fandom rock for the last half-decade, there was a lovely bit of controversy in 2007 when FUNimation released a so-called “remastered” version of the DragonBall Z TV series on DVD in North America. Among things like lies about the remastering process, the whole thing was brought into a new 16:9 aspect ratio presentation by cropping 20% of the footage (the top and bottom of the screen) to fit it into that viewing window.

Hilarity ensued online.

Daizenshuu EX is (obviously) at the forefront of the English-speaking fandom in a variety of ways. We have been following the series as a website since 1998, which includes all of the North American releases. We have a wealth of knowledge and experience with the franchise as both an original Japanese entity and a domestic “reversioning”. We took a stand against the cropping. Many of the casual fans could not understand why it was an issue for us… and understandably so. If you simply wanted to watch the show, the cheap orange bricks were a wonderful way to legally to do so (something we agreed with from the get-go). These types of fans (of which there are plenty) met the opposition with well-written, researched, and thorough arguments on how we were all just a bunch of fags, should shut up, and just be thankful we ever got the show in the first place. Why do we care so much? These fans do not even notice the cropping, and would prefer that the picture fill up their awesome, widescreen HDTV.

(Wondering why Daizenshuu EX would care about the aspect ratio of DBZ would be like wondering why the health care industry has an interest in American health care reform. We bitch because we love.)

Two years later, DragonBall Kai began airing on Japanese TV, also cropped into a 16:9 aspect ratio (though it was actually being produced in a full 4:3 which was later presented as-is on the Blu-ray release). Some of the scenes were adjusted for more carefully-presented cropping (sliding them up or down a little bit to adjust for a center of focus), but overall, it was a similar process to the FUNimation release from two years prior.

Episode 43 of DragonBall Kai aired on 06 February 2010 in Japan. Almost immediately, there was a bout of fan outcry… on several different forums… on how ridiculous it was that Toei could be so sloppy as to not finish drawing Goku’s arm:

There were actually two camps, to be fair. While there were definitely (1) those that placed the blame on Toei’s art department (assuming it was a completely re-drawn scene that was never completed), there were also (2) others who were quick to place the blame on Toei’s cropping department — these folks knew the whole story (keep reading), and knew that it was an awkward and inadvertent cropping.

Sure enough, if you look at a different encode and frame of the episode as captured from Japanese television, you get a little more insight:

The slightest bit of Goku’s arm is visible at the bottom of the frame. Checking back on the original animation from the actual DragonBall Z TV series, we get the whole story:

What this says to me is that even without some prominent website that has a ridiculous interest in the presentation of the series pointing it out to them… certain fans still noticed a problem with the cropping. Not only that, but they brought their complaints and ridicule online to share with their peers.

The hypocrisy is a bit silly. Why was it unjustified to bring FUNimation to Elitist Weeaboo Fanboy Court™ over their cropping of the series, but it was totally fine to go after Toei for the exact same thing? Was it just an extension of the complacent American fan culture that has no problem with their domestic releases, but Japanese stuff is OK and funny to laugh at? Lolz Goku sounds like a girlie and his arm is missing?

Sure, it was totally just this one minor scene during one episode of Kai that gave us some laughs online. It was nothing compared to the FUNimation fiasco in terms of prevalence and significance. On some tiny level, though, it made me feel something resembling justification for my complaints against the domestic cropping.

People do notice this kind of stuff, even when it is not specifically pointed out to them. That’s all there is to it.

Oh, and just for the Hell of it, here’s how it looked on FUNimation’s faux-”remastered” orange brick numero tres. It looks nearly identical to the recent shot from Kai. Did anyone complain about it back in 2007…?

Thanks to Hujio and Kaboom for a bit of screen shot assistance!

Some of our favorite examples are things like:

• “Ultra Super Saiya-jin“, a term coined by Curtis Hoffmann back in 1993 in his summaries of the tankôbon to describe the in-between stages of SSJ that Vegeta, Trunks, and even Goku showcase after Cell has been introduced
• “Kushami“, the Japanese word for “sneeze”, also coined by Hoffmann in 1993 as a nickname for Lunch in her transformed state
• “AD” as used for years in the chronology of the series, a mis-translation of eiji or simply “Age” by Greg Werner in the late 1990s from his translation of the timeline in the seventh daizenshuu

There are other ones that we have not been able to track down the first-ever uses for. There is “Mystic Gohan” to refer to the character after his “upgrade” from the Old Kaiôshin (which goes back to at least the year 2000 in quick searches); there is the word “zenkai” incorrectly used as a proper noun to explain the power-up that a Saiya-jin receives after recovering from near-death, which appears to be an English-language-only development, possibly originating sometime in the early-to-mid-2000s; there is “base” that gets used to refer to the “normal” (tsûjô in Japanese), non-SSJ forms of characters, which appears to have become common-place in the English-speaking fandom during the PS2 video game revival for the franchise.

It really gets funny when people cross the line into delusional territory, though. A commenter on our third “Inconsistencies” video posted and asked why the video was receiving bad comments. When another commenter was challenged on their response of it being from “some guy [who] is being critical and nitpicking when he himself has made no creative contribution to this world”, they followed up and justified their existence and contributions to fandom with:

Well if you really need to know, I’m the first person to use the word “canon” in reference to continuity. That was on the Pojo forums way back in maybe 2002. You won’t find any record of that word being used in that context previous to that time either. So, yeah it’s more of a contribution to a subculture in general and not specifically to DBZ, even tho it was on a DBZ forum.
I’ll add that it was a more or less original contribution and not simply a commentary on a finished work.

Yes. You read that right. This individual honestly believes that they invented the term “canon” as it relates to continuity in a work, fictional or otherwise (or, giving them the biggest benefit of the doubt that I can, perhaps just DragonBall). Either that, or they at least have a hilarious (if not obnoxious) sense of humor about themselves.

The word “canon” shows up at least two years prior on alt.fan.dragonball (and probably much earlier if you are willing to dig). This person’s claim is essentially dead-on-arrival from the very beginning.

The word itself goes back thousands of years with this very same definition, so they certainly can’t take the claim in that respect. As far as I know (and I hardly claim to be an expert), the term originated with the Bible and what the church deemed to be the “true” and “correct” stories to include in their official version. The word and its associated phrases (“Such and such is canonical…”) have been floating around with not just anime, but all types of fiction for decades. I know little-to-nothing about Star Wars, but I know there are just as many heightened-emotion arguments about what is canonical with its expanded universe as there are with our own ridiculous arguments relating to DragonBall GT and the movies and the guide books and the international translations and so on and so forth.

That someone honestly believes that they were the first person to use the word “canon” as it relates to DragonBall… and did so only in 2002… and relays this information with the tone they did, propping their “original contribution” above something that is “simply a commentary on a finished work”…

I mean, it goes beyond delusional at that point, right…?

One thing to keep in mind is that I am not talking about a “blog” from a personal standpoint. This is work-work related (as opposed to hobby-work related), so the goals and methods will be slightly different. Are there any “professional” blogs that you follow? If so, what aspects really drag you in?

Here are a couple of my own thoughts:

Authoritative Tone
You know me well, by now — any writing that I do very purposefully takes on a tone of authority. If you simply act as if you know what you are talking about, it is all the more convincing! This is not something I am too concerned about, since the folks I will be calling on for articles have that authority… and I am the final word, anyway, so I get to copy-edit anything that needs it.

Be Personable
What makes a “professional” or “corporate” blog different from a standard press release is not just the tone, but the delivery. There needs to be a real voice. It can be a fine line walking between conversational and professional, but it can and should be done. Guest writers of relevant notoriety can be a huge help in lending a personable, yet authoritative, tone.

Outbound Links
Again, you know how I operate! If there is a source, it must be cited. Providing links to something other than your own website shows that you live in the real world and acknowledge that other people have ideas and opinions.

Make a Statement With the Post Title
It is a little basic, but it is true — grab the reader’s attention.

Know Your Goals
What do you want to actually accomplish with this blog? Do you want readers to comment? You need to ask them a question each time, then. Do you want to be picked up by news media? Be sure to mention your blog in conversations and other cross-promotions, have it readily accessible from your navigation… all the good ol’ regular stuff.

Maybe the best question to ask is: what makes a bad blog entry? What are some tell-tale signs that something is “off” and perhaps not credible, researched, authoritative, and even worth your time? Things like grammar and aesthetics (while important) are blatantly obvious, so we can skip past those!

The spontaneously-combusting XLR cables are not my fault, though. I swear.

I know it has been well over  a year since the last podcast episode (if you could call it that) for this blog, but I made it a point to say that shows here would be when I have something to say, and I would not do them just for the sake of doing them. That being said, I actually have an idea for a show to do. It is incredibly “meta” (and specifically about podcasting), but that is OK with me if it is OK with you! You have read before how I have upgraded equipment over the years, and what my typical workflow is for producing a show. That was a while ago, though, and a few things have changed.

I really want to do an updated version of that, but more from the audio end of it rather than a text-and-images description. It fine and dandy to talk about it, but what does it all sound like…? Sure, you could compare the earliest episodes of Daizenshuu EX’s podcast to some of the most current ones, but that would be a pain to do.

What I am planning on doing is recording a few segments, under very controlled (read: “ideal”) situations in terms of surroundings and acoustics, to showcase exactly what my different microphones really sound like, and how that makes a difference for the listener. With myself more than anyone else you will be able to tell how upgrading and tweaking a few things can make a huge difference — it’s no secret that my regular male co-hosts Jeff and Julian have amazing, deep, booming, perfect radio voices, where-as I have to over-compensate.

Not that I can’t form a coherent sentence, or anything like that. Oh, Hell… if you’re reading this blog, you know what I’m talking about!

In a nutshell, I have a pretty good idea of how that part of the show will go. You will hear the different types of mics, positioning from them, what the most basic of software can do to help with it, blah blah blah. What about the other side, though? Is there anything about the behind-the-scenes production that you are interested in learning about? Not necessarily the tech behind things… but the research, methods, reasons, schedules, time-sinks… that kind of stuff.

In general, is there anything about any of the shows I am involved with (Daizenshuu EX, lo-fidelity, vgconvos) that you are curious about? Why we do the things we do and how we do them? Let me know! I will probably pull Jeff on that later segment to answer with me, because he’s just such a swell guy.

Anyone who has followed my wacky adventures online for any amount of time knows how much I squirm at FUNimation’s spelling of the name of this character:

フリーザ

I once wrote up a somewhat-detailed explanation on how to romanize the character’s name that I inserted into Wikipedia articles, which were then deleted and re-added to some pretty terrible DB Wikia articles, getting re-written and distorted along the way. If you read any of those sites, perhaps this explanation may sound familiar.

Like his brother and father, Freeza’s name is a pun on all things relating to the cold. As both Freeza’s and Coola’s names end in a short “a” vowel (rather than the long â/aa which usually signifies “er” in kana spellings of English words), Freeza’s name is typically spelled with an “a” at the end (as opposed to “Freezer”). Logic would of course follow that his brother’s name should in turn be spelled in a similar fashion as “Coola” (rather than “Cooler”). FUNimation chooses to spell the names as “Cooler” and “Frieza”, removing the consistency between the names and their final vowels.

The actual English word “freezer” would be written out in katakana as フリーザー / furîzâ, so it would stand to reason that we should spell the DragonBall character’s name as “Freeza” instead of “Freezer” (note that in Japanese, the Pokemon we know as Articuno is actually フリーザー…!). There are other, similar examples in the series. イレーザ / irêza is typically adapted as “Eresa” instead of “Eraser”, while the ミスター in ミスター ・サタン / misutâ satan should pretty clearly be adapted as “Mister” rather than “Mista”.

This all ignores the elongated î/ii sound in the middle of the name, which is dandy and all, except that it ignores the point of this post. That’s fine. With knowledge in hand (and knowledge is, of course, power), here is a breakdown of why “Frieza” irritates me so:

(1) Lack of consistency
As noted, if you are going to end one character’s name with “a”, it should follow that the other character’s name should end in the same way. Instead, FUNimation provides a name spelling of “Cooler”.

(2) Lack of common sense
Leading up to the written-form appearance of the character’s name in the TV version of the series’ title cards (original, edited, dubbed episode 34: “The Ruthless Frieza”), every single instance of the name written in our alphabet used the commonly-accepted “Freeza” spelling. If you turn on the closed captioning for TV broadcast recordings of episodes before (and even sometimes after!) #34 from 1997, during any case in which a character speaks “Freeza” by name aloud, it is written with the double-”ee” spelling… clearly indicating that there was no style guide provided to the closed captioning transcribers, and that they obviously thought it was the “correct” spelling.

In the closed captioning for season two, it was almost always written as “Freeza”

Original FUNimation DBZ dub episode 34 title card

Furthermore, Bandai actually released versions of the “Super Battle Collection” figures in 1997 in North America, which was the very first run of licensed (through FUNimation!), domestic figures. Which name spelling appeared on the box?

(3) Lack of fans’ ability to even spell the misspelling properly
Freiza. Frezia. Frizea. (Insert Maximum the Hormone joke here.) Even the dub fans have no clue how to spell it.

(4) Lack of pronunciation guide
How exactly do you speak aloud “Frieza”…? You may think it’s simple, but take a listen when you view GameTrailers’ video review of Raging Blast. “Saiyan” is pronounced as it should be (which is to say, not as FUNimation pronounces it), and “Frieza” comes out as something like “Fray-za”.

(5) Lack of other English-language production support
In the subtitle track corresponding to the Japanese audio on all FUNimation releases, the character’s name is spelled as “Freeza”. Thankfully, Viz was releasing the manga at a time when FUNimation consistency or alignment was laughable, and so the standard “Freeza” spelling also made its appearance.

FUNimation Japanese-Language-Track Subtitle Example

Viz Manga Translation Example

(6) Lack of any Japanese precedent
It goes without saying that no Japanese product had ever spelled the name with an “i” leading up to FUNimation’s release. When written with our alphabet, the spelling of “Freeza” was always and consistently used.

Japanese “Super Battle Collection” figure; image courtesy of dragonballtoys.com

SOURCE: Daizenshuu 4, “WORLD GUIDE”

SOURCE: “LANDMARK”

(7) Infestation of later Japanese products
It was painful to see websites for then-upcoming Japanese games, and even the final releases of games such as Battle Stadium D.O.N. and Jump Ultimate Stars, using the “i”-spelling. Since it was not consistently used before and even after, it appeared to be cases of the Japanese developers referencing official English products and not realizing the lack of accuracy.

Battle Stadium D.O.N. (PS2/Gamecube), unreleased in North America

You may try to make the argument that since a direct romanization of the name would be furîza, which does use an “i” due to using our alphabet, that there should not be any problem with using an “i” in an English adaptation/spelling of the name. Unfortunately for those making that argument, your logic is horribly flawed. A romanization is not necessarily the same as a name adaptation. We may spell “Kuririn” as such, but that is because the romanization aspects of it work perfectly fine in conjunction with the intended name pun (kuri meaning “chestnut”, a play on his head and shape). We spell the name as “Cell” because seru simply does not make any sense when trying to adapt the name into our alphabet, especially considering that the pun is based around the fact that he uses cells from other characters.

“Kuriza” is an interesting example. At Daizenshuu EX, we have decided upon a spelling with an “i” it in (rather than “Kreeza”), but this has nothing to do with FUNimation’s name spelling, and everything to do with preserving the same type of kuri pun as used in “Kuririn”. Toriyama abandoned the “cold” pun scheme for the character, and therefore we did the same with our spelling adaptation.

“Frieza” seems like a completely arbitrary spelling change, contrary to all common sense, for completely inexplicable reasons. Did someone think it made the name look cooler (pun completely intended)? I simply cannot think of a single reason why it could or would be changed.

At the end of the day, this is nothing more than endless whining by another purist, and if you read this far you will fall into one of two camps: (1) you loathe me more than you already did, or (2) you’re shaking your head in recognition that I am just preaching to the choir. I realize this. I truly do. I will change nothing. “Frieza” will always haunt me, just as horribly as misappropriated apostrophes in non-possessive words do on a daily basis. At least now I can endlessly annoy someone with a link to a single resource when they ask me why the spelling bothers me so.

Remember, kids: “i” before “e”… except in “Freeza”.

Caption, anyone?

Let’s share an example of #2, shall we?

I received an e-mail this morning from someone named Brad, apparently one of our visitors over at Daizenshuu EX, with the subject header “Pojo ripped your Dragon Box article.” Assuming that Pojo was still an incomplete and haphazardly-run shell of a website made in 1999, I was pretty intrigued by what I was about to see.

Look familiar to you? It should… minus the broken images and removed-introduction, of course.

That’s pretty astonishing to me. I can totally understand the viewpoint of some punk kid taking an article from another website and posting it up on his own, especially one so uneducated as to not hot-link the images. What takes it to a new level is the deliberate action(s) taken with it. The introductory paragraph about it being both a history lesson and emotional-roller-coaster is entirely removed, presumably because it mentions us by name as Daizenshuu EX right in the text. If the broken images weren’t a hint to the carelessness, though, this should take the cake:

Seriously?

I have no idea who “ptrunks19” is, but I think he’s a pretty hilarious guy (or girl; let’s be an equal-opportunity laugher, here). The entire thing is so asininely careless that you can’t help but roll over in a fit of hysterics. What clinches it is the main page update, which (in addition to the “article” page itself), directly attributes the writing with a by-line to “ptrunks19″:

Who the Hell is running this site? Do they have any idea what they’re doing? Does anyone actually visit this site for this type of content…?

At the end of the day, I think we all know that there are really only two English-language DragonBall websites you need to bother with, and that’s a pretty good feeling.

So a while back, I captured a commercial for DragonBall GT eyedrops off of a raw VHS tape from many years back (“many years back” being… ya’ know… 1997). I threw it up on YouTube, of course.

I lost it when I read this comment:

I couldn’t help myself. A couple seconds in Photoshop resulted in:

Fast forward to 2009. The site is eleven years old, and even the podcast is coming up on its fourth anniversary. The types of and volume of comments we have received over the years remains astonishing to me. No matter how much I see, though, I am continuously flabbergasted by some of the complaints people seemingly pull out of thin air.

One particular commenter on an outside forum took issue with our reference to FUNimation’s DragonBall Z season box sets released from February 2007 to May 2009 (you know, the faux-”remastered” box sets) as “orange bricks”.

Thankfully, our buddy Jacob put in his two-cents on the matter, but… seriously?

It was another clear example of someone wrongfully assuming something about us based on their own, personal, complete misunderstanding. Who knows? Maybe they purchased all of the season sets and somehow feel wronged by the upcoming Dragon Box sets. Maybe our reiterations, with each subsequent release, of the boxsets’ problems somehow made them feel “stupid” for falling into the trap. Perhaps they take issue with our dislike and overall-non-discussion of FUNimation’s English dub, and decided to aim their frustration at another topic. For whatever reason, this individual decided that we were using “orange brick” pejoratively, it was “asinine”, and it was an “insult”.

News flash, internet: that style of DVD packaging is referred to as a “brick”. Also, the sets happen to be orange. “Orange Bricks”. Genius, isn’t it?

See how the inside packaging stacks the discs on top of each other? See how the packaging folds over top itself for easy storage? When you stack things over top of each other and place them all next to each other, you can pretty easily see where the “brick” description came from. We don’t call “steelbooks” as such because they are super strong and read great literature to us; we call them that because they open up (like a book) and are metal-styled containers (like steel). Welcome to the world of various styles of DVD packaging.

(image courtesy of Metalwario64)

It’s cases like this where I wonder what the actual issue is. The person decided to harp on us for something, and rather than a legitimate reason, they made one up. Sure, it may have been legitimate in their own head for a short period of time, but I can’t imagine hearing the phrase “orange brick” is what first made them run furiously to their keyboard to type up a mean post about the poopie-head website they disliked.

Funny how no-one has a problem with the phrase “blue brick” in reference to the new DragonBall TV series “season” sets. If anything, it proves that FUNimation once again made a fanbase-fracturing decision to go with that format (cropped, DVNRed to death, etc.) for Z, and even legitimate descriptions of their products cause undue shenanigans across the internet.

We can’t please everyone. We know that. That’s the real issue that I’m writing about, I guess… if you have a problem, say what it is. Don’t hide behind some newly-made-up argument. Come out and say what’s on your mind, back it up, and be a man (or woman!) about it.

Preferably, above all else, actually know what you’re talking about before you criticize someone.

I almost make it out to be that there are thousands of people running around the internet shit-talking Daizenshuu EX, which I hardly doubt is the case. All the nice little e-mails and comments we get are fantastic, but they just don’t give me anything to write about!

And yes, I just wrote a blog entry legitimately using the phrase “poopie-head”.

Since about July 12th, we have known that the upcoming PS3/360 game DragonBall: Raging Blast will have a new vocal theme song performed by Hironobu Kageyama called “Progression“. Listings for a CD single of the song only began appearing online on September 27th. The game is not due out until November 10th (North America) / November 12th (Japan). The CD single is not due out until November 25th.

Here is just a taste of some of the most recent search engine referrals over on Daizenshuu EX:

• raging blast theme mp3
• dragon ball raging blast progression
• dragon ball raging blast op song download
• hironobu kageyama progression download
• progression raging blast
• progression kageyama hironobu mp3

To be fair, not all of the above-listed searches were specifically for an illegal download of the song. Also to be fair, the song has been featured in a limited capacity in trailers for the game; in fact, I was able to sample out a very short version of it to use as the closing for a recent podcast episode.

But seriously? We are months out from the game’s release and the song’s physical release. These people really think they are going to find a download of it? And with those kinds of terrible search queries…?!

We get tons of questions from people asking something along the lines of, “What was said in the Japanese version where/when [insert event here]…?” Sometimes they will phrase it just like that, but other times it will be preceded by, “I was watching my orange bricks…” or “I was watching my DVDs…“. I joked about it on the podcast recently, but the person could have saved themselves a week’s worth of time by simply switching over to the Japanese audio track on their DVD and finding out for themselves. I mean, it’s right there. It’s subtitled. It’s accurate.

That’s when I realized something.

These people are lying to us. They don’t own the DVDs. They’re watching the episodes online. They say they’re watching the “orange bricks” or “DVDs”, but what they really mean is that they’re watching someone’s encodes of those episodes online (usually on YouTube), and they’re dub-only, of course.

I like to think that we’re past the point of fans not even realizing that the Japanese track is on the discs, so this is my only logical conclusion.

So our little cat, Tara, has this fuzzy red/white ball toy that she loves. She likes to fling it around through the air and go chasing after it. She has even become slightly dog-like and will play fetch to some degree, depending on how lazy she is about bringing it all the way back to your feet.

There’s one big problem, though. When she picks this toy up in her mouth and wanders around, if there is no-one to take it from her, she will emit this incredible howl to get attention… while it’s still in her mouth. She’s a very vocal cat, anyway, so that’s not entirely surprising. It’s just a horrendous noise, is all, and one you can hear from anywhere else in the house.

(MP3 sample from latest vgconvos recording; bit.ly re-direction)

I mean, she’s super cute… but there’s a reason why we tend to hide the toy at night. Those 3 am howls don’t help the sleeping, much.

It’s such a shame. I share no pleasure in detailing the news that vagettoEx is banned. I don’t exactly know who he is or why he’s banned from whatever he’s banned from, though. Just figured I’d pass along the word.

Well, the mixer has the main-out as well as the tape-out. I busted out my audio cables last night and did a proper line-in to the laptop to complement the video feed it was serving. The feedback from the audience was great (being that the audio was great… no-one ever said the show was great ), so next time we broadcast, we’ll be doing it “correctly” again.

That gets me wondering, though… what do we gain from broadcasting it live?

I’m well aware of the effort it takes to build and maintain that “sticky” audience that we all so desire, and little things like fixing the audio on a live stream go a long way. How about that live stream, though? What purpose does it serve? Quite frankly, it seems pretty egotistical… people love us so much, they want to watch us as we record our shows! Aren’t we so flippin’ great?!

I don’t really think that about myself, though. No, seriously. If you were hanging with us last night, you heard me complaining about Jeff and his amazing radio voice and how much of a struggle it is for me sometimes to get into the range I want to be in. There are plenty of things I don’t like about my various shows, so adding a video stream on top of that just seems crazy.

I think it works for lo-fidelity, though. Jeff and I have both been podcasting for a few years, and we both edit our own main shows. We know the effort it takes. We know what goes into it all. Due to all that, this particular show is far more conversational than the one I do for Daizenshuu EX, and so it works well for a live stream… no random dead-air (not much, anyway ^_~), no confusion over what’s happening next, no piece-meal recordings (with the exception of the ahead-of-time Anamanaguchi interview), etc. We are able to get immediate feedback, too, and while we definitely gear it toward being a damn solid audio program and really just video stream because we can… it’s nice to pull in a couple random live things here and there, like someone’s off-the-cuff Top 5 list to go along with our own.

That doesn’t really address the bigger question of added-value, though. So I guess it’s best to ask you all — the ones who are following me enough to be reading this blog. Do you have any interest in video feeds of the podcast recordings? What do you find interesting / disinteresting about them? Know that we don’t have the time or resources to put on big productions, so if and when we stream anything, it’s just going to be… yep, some folks sitting around mics recording a podcast.

Really curious, though!

In Viz’s English translation of the DragonBall manga, this is one of #17’s first lines after being awoken/activated by Dr. Gero:

“Good morning, Dr. Gero…“. It’s a pretty straight-forward, more-or-less accurate translation of the original dialogue. Here’s how it is written in the original Japanese version:

Like I said, it’s a pretty accurate translation. What #17 says is, “ohayo gozaimasu, dokutaa gero-sama“. There’s one little thing that’s “missing” in Viz’s “translation”, though, as accurate as it is: it’s that “-sama” suffix. It’s not really necessary to translate, but it comes into play a little more than you might think. While you can clearly imply that #17 is being overly-polite (to the point of it being a ruse), it’s really driven home by the fact that he actually uses the “-sama” suffix… which he would never otherwise use for this jerk-face of a doctor that forced him back asleep. It’s that one specific formality that leads Dr. Gero to initially trust him (and also #18).

In the end, it’s not a huge lost-in-translation issue, but it’s certainly an interesting one, none-the-less.

Like this kind of stuff? Hell, you’re probably already checking out our weekly podcast about that there Japanese cartoon from the 80s/90s about monkey aliens hitting each other after staring at each other for an episode. At least it’s good fun, huh?

Until then, here are some random photos.

While in Italy, we were able to browse through Naples, Pompeii, etc. We even took a trip to the top of Mount Vesuvius! You take a van up most of the way (frightening beyond belief on the way back down on the narrow, windy roads), but must walk up the rest of the way to reach the top. Our regular camera’s battery died shortly before we reached the top, but I did have my iPhone on me and was able to snap this at the peak down into the pit of the volcano:

Here is a view of Naples far below:

Yeppers. Good times.

I suppose it’s kinda funny that the example I’m going with is the DragonBall franchise, and specifically that in North America as distributed by FUNimation.

Let’s ignore any and all thoughts I have about FUNimation as a company from my fan perspective. That is entirely irrelevant to this discussion. This is a business conversation, a new media conversation, and a marketing conversation… all things I have knowledge of and expertise in completely independent of my hobby/fandom.

I ran a quick search on Twitter this morning for “dbz” just to see what was out there. In addition to the pain of seeing such a huge audience and struggling with getting our site and podcast into their consciousness (insert Cartman “HOW do I REACH these KIDS…?!” quote here), I could clearly see the business side being discussed… without these kids even knowing they’re talking a little inside baseball. Here are just a few examples of what I saw:

@Ryan_Toro_69 DBZ season nine. Thirty bucks. 39 episodes. Final season…..WAT DO I DO?!?

@FHD210 Downloading Dragonball. Never saw that one, only DBZ and GT. And Cities of the Underworld: fascinating documentaries

@OnslaughtSix I am now awake! Dragonball finished, which is an amazing feat after how long I’ve been trying to download it. On to DBZ!

@iEgg Just got a sudden urge to watch the Android Saga in DBZ… <3 DBZ! LOL! Anyone know where I can watch it online free?

While it may be a small sample size that does not statistically speak of the entire population, I felt from a quick looksie-through that it was representative enough for the purposes of this discussion. Note how only one of the four was considering paying for the privilege of watching the series. The sense of entitlement is overwhelming, and is completely accurate to the overall aura you get browsing around the internet.

That’s not to say that FUNimation isn’t catering to those people. With announcements like the recent agreement with Toei Animation to stream new episodes of One Piece for free, and near-simultaneous with their Japanese broadcast (subtitled in English)… FUNimation has certainly been a leader in this field, and is throwing their weight around as one of the few remaining domestic anime juggernauts (which essentially equates to them and Viz) to get the times a-changin’.

FUNimation is certainly offering up a decent chunk of anime for free viewing via locations like their YouTube channel, but I’d argue that the DragonBall franchise is one series that they are not taking seriously. Perhaps CEO Gen Fukunaga’s age-old quote about making so much “Poke-money” off the series remains true, and they don’t need to address it. Perhaps Toei’s involvement makes it impossible to explore every avenue that needs exploration. Regardless, if the above Twitter quotes are any indication, fans want to watch the series, they want to watch it now, and if FUNimation isn’t there to provide this service, then the pirating will continue.

I’m not naive. I may not have any desire to get into the scene and find it thoroughly disgusting from top to bottom, but I know what’s out there. I know how many groups are subbing DragonBall Kai. I know that groups have taken Dragon Box masters and have released dual-audio MKVs with the original Japanese track and FUNimation’s English dub. I know about the custom subbing projects on the invite-only torrent trackers. Again, if FUNimation isn’t going to step in… the fans are going to take control of the property. It’s already near that point, and there will come a concrete point in time when FUNimation won’t be able to regain control.

At the end of the day, I have one main suggestion for FUNimation: give your fans more incentive to support you. Your Twitter account is a great start, but the responses I see are half-hearted pandering and senseless corporate-talk. Look at companies like United Airlines — they have even created their own (albeit silly) new phrase, “Twares” (think of them as something like “discount fares distributed via Twitter”), to provide an amazing incentive for that “sticky audience” to… well… stick around.

FUNimation is losing as much control over the DragonBall franchise as they are making money off the DBZ season boxsets. Their 15-year-old licensing nightmare with KidMark (now Lionsgate) is destroying their ability to capitalize on people wanting to go back and explore the rest of the series. Their lack of online, streaming episodes is driving people to go to inordinate lengths to sack away terabytes of digital pack-rat-ery.

We all know that the domestic anime industry needs an overhaul, and one that might not come in time to save it. I may be incredibly biased in my perception, but it seems to me like DragonBall goes above and beyond the “anime industry” and is simply a cartoon that people remember watching as kids, and want to re-experience. As much as the fandom side of me finds incredibly disgust with the DBZ season boxsets, they were exactly what the doctor ordered on the brick-and-mortar side. Unfortunately for FUNimation, brick-and-mortar grows increasingly irrelevant with each passing day.

I’d love to help ya’. Hit me up at @vegettoex. I’ll probably end up making baseless and impossible demands like re-calling all currently-existing DVD sets and replacing them with Dragon Box masters in an equally-appropriate price-per-episode ratio that the old sets used, not to mention hiring our own community to localize future English dub and video game scripts just so we can stop some of the information nightmare nonsense we live with every day… but hey… that’s a hardcore fan for ya’.

With no real qualifying description on where the hate comes from, and yet being a member of our forum for over a year at that point, Adam / JAPPO wrote on 23 March 2008:

Ummm….. thanks?

(oh and yes I am. I hate daizex, for the record).

With a little bit of reasoning behind it (but not doing the additional reading to show that we do in fact agree with their statement), ShadowRaditz89 wrote on 12 April 2009:

I don’t like Daizex, they are too opinionated and refuse to acknowledge when they are wrong.

…

Toei Animation officialy lists it as an OVA. Because Daizex disregards this, I don’t acknowledge them as a reliable source.

With some snide-looking eyes, Amerowolf wrote on 10 February 2009:

Thanks to rachetcomand for the news tip, oh, and Daizex, but you know…MFG is better than those guys. >_>

Under fire from other IGN board members, pmc64 wrote on 07 April 2009:

i don’t have an account there. I don’t think anyone there likes the dub anyways. Haven’t you ever listened to the podcast? they loathe the dub.

With their head on straight, jjgp1112 responded:

Mike himself said that Dub fans make up a good amount of the board, and has a strict policy against acting like assholes toward Dub fans and Funi fans like how you do all the time.

In yet another example of people thinking what they want to think and hearing what they want to hear, King wrote on 09 March 2009:

I know Daizex will burst for anything that the japanese will pump out, even though the japanese kind of did the same thing like the U.S did…BUT IN JAPANESE VERSION.

Thankfully, Jacob was around and actually listened to what we said when he responded:

Not really. As the usual panel (plus!) explain in the latest podcast, just because it’s a Japanese production they won’t give it a pass. They’ll give DBE one viewing to be fair, just they did FUNi’s orange boxes and will Kai, but if the product is displeasing…

We smiled a bit when Brent contributed to a post on Bethesda’s Blog on 30 January 2009:

I listened to the MKast podcast while Mortal Kombat vs DC Universe was still in development, and I listen to Daizenshuu Ex’s and Major Nelson’s podcasts every-so-often.

We were a little confused when MDUNNER28 originally wrote this on 30 March 2009, but then they kept talking about our show with each subsequent post, so I suppose they learned to like us…?

Episode 170 of Daizenshuu EX is available. If you can get past the hosts’ goofy elitism, it’s a pretty good show.

Based on this comment (along with a few others) that vashkey made on 11 April 2009, Meri and I did a little aside on Episode #0174 of the podcast to once again re-iterate that just because something’s Japanese, it doesn’t mean it gets a free pass, it doesn’t mean we will automatically like it… and in fact, by the way… we aren’t completely in love with it. Once again, people hear and read what they want to hear and read.

It’s almost ironic though if you keep up with the daizex website. They bash the Funi remaster so much, but they’ve been praising Kai. I watched the first couple of episodes of the Funi remaster before watching Kai and alot of it is the same when it concerns cropping. In alot of scenes if not all Kai matches up the Funi remaster perfectly. Daizex’s predisposition is pretty obvious.

We were tickled with our description as “nifty” when Seleria wrote on 11 March 2007:

Hinode gave me a link to this nifty site called Daizenshuu EX, where there are scans of Dragon Ball artworks by other famous mangakas.

Over on the “Profile” page of Rumic World, Harley wrote:

this is a Dragon Ball site I browse through fairly often. I’m not a huge Dragon Ball fan, but I like to visit well made series-specific sites.

On their links page, Kanzentai wrote:

One of the best old school sites and it’s probably the only one left! This is one of my personal favorites because it has such unique information, and the largest DragonBall music database ever!

Hey… thanks, guys!

All in all, it’s incredibly interesting to see the types of responses and comments that are out there (and the style in which they are written). Every single last bit of feedback should be taken to heart in some capacity, but when you have been doing this sort of stuff as long as we have been doing it, you start to recognize which ones are legit and constructive, which ones just didn’t do their homework, and which ones are just not worth your time. There are so many more that I have seen over the last eleven years, and I wish I could have saved more of them. I’m sure they’re still out there on the internet somewhere, and I’ll come across another batch for another blog entry at some point in the future.

You know what? Things are just fine.

In terms of telephone service, it makes complete sense to abandon the land lines. While the quality of cell phone calls still leaves a lot to be desired, it suffices more than enough for my phone conversation purposes, which typically do not last longer than one minute unless I am calling my parents. If I am on the road or otherwise out and cannot be reached, my simply not answering the phone is exactly the same thing as someone calling me and not being home to pick up the phone. Combine that with text messages that completely replace voice mail in terms of disseminating tiny bits of information in quick, easily-digestible form… well, you’ve got a winner.

As for television, it is equally fine without it. We have enough things to keep us busy after the move that we have no time to just sit around and mindlessly watch television, anyway. Once things settle back down a little bit (which they are already beginning to do), we still have more than enough viewable-passive-media to keep us entertained until the ends of time without needing to obtain anything else. Throw video games into the mix, and I have a hard time understanding why I would ever actually need cable service on my television. In fact, the word “television” does not accurately describe that 50″ Kuro in my living room now, since everything from that to the “old TV” to the computer monitors are really nothing more than display surfaces of varying sizes and aged technology. Whether it’s a video game, a DVD, a Blu-ray, episodes downloaded online and burned to DVD+RW for viewing on the PS3 or 360… all of these display surfaces act in exactly the same way without needing to pay someone to be constantly broadcasting a live signal to them which I have no interest in tuning into, anyway.

I will admit there is a strange sort of “learning curve” to not being able to just sit down, hit a power button, and expect an in-progress video. Everything must be manually initiated. In the long run, I prefer this. Beyond the cost savings, I find that I gain precious minutes here and there that might otherwise be spent mindlessly flipping channels before realizing there is nothing to watch and starting up some other activity. Now-a-days, I just go right into whatever that “something else” would have been.

I’m constantly reminded of that Seinfeld episode where Kramer wants to cancel his mail. Can we do that, yet?

Making it even worse was coming down with a cold over the weekend. However, my sickness benefits you, because it gives me something to blog about. See… when I’m sick, I like to watch terrible movies. There’s nothing more comfortable to me while blowing my nose and drinking endless glasses of water than curling up on the couch with a cat and denying myself the privilege of watching something genuinely worthwhile. Yesterday, those two movies were Hancock and Fantastic Four: Rise of the Silver Surfer.

These will not be long, in-depth, helpful reviews. Remember my state of mind while watching them.

Hancock was interesting for half of its length. Once the big “plot twist” comes in (and is literally thrown through the wall of a house), it immediately becomes garbage. Similar to the most recent Hulk movie where I found Banner a more interesting character wandering around South America trying to keep himself under control (rather than Hulk-ing out and smashing things), I found Hancock a much more interesting character trying to deal with his public image and vices. The same could be said about characters like Batman, and in more recent American comic book film cash-ins, Iron Man. The faults and demons of these characters are far more interesting than the BANG ZOOM CRASH aspects. Sure, coming around the same time as Iron Man and having a superhero with a drinking problem is a little strange, but Tony wasn’t flying through the sky drunk dropping cars on buildings. All in all, it wasn’t a terrible movie, but lost its purpose and soul by going the flash route midway. As one last point, I would like to say that all children in this movie (especially the very first one you see, and the main child throughout the rest of the movie) were terrible actors beyond belief.

Fantastic Four: Rise of the Silver Surfer was almost entirely garbage, on the other hand. I wish I remembered more about the “first” (well, prior) movie, but I saw it in theaters when it came out, and I have a difficult time remembering anything about movies I’ve seen, anyway. I know comic fans had a problem with Galactus being a giant space cloud, but knowing next to nothing about the series, I found it an acceptable change (unlike “the giant squid”, where I have problems with both the original and movie-changed ending). The overall story, however, was laughable. The acting was only acceptable, with Jessica Alba being exceptionally terrible, yet again. The cheese factor goes above and beyond comical to ridiculous with scenes like the bachelor party dancing (do kids think this stuff is funny, ‘cuz I sure don’t…?). I would like to say more about the movie, but despite seeing it less than 24 hours ago, I am already forgetting nearly everything about it.

I certainly don’t regret watching either movie. They were the perfect type of ridiculous (if not “stupid”) popcorn action movies I look for when I’m sick and need to take my mind off of just how terrible I feel. What about you all? Have you seen either movie and have some thoughts you’d like to share? How about things you like to do when you’re sick?

I think the big thing I am going to harp on is just helping people understand why people join these sites and do the things they do. Once you understand the why, everything else falls into place. As far as I can tell from observation and my own personal experiences, the main reason is just selfish validation. What I mean by that is that people are using these sites basically for the purpose of having their own existence justified and validated by receiving positive feedback. Whether it’s Digg promoting things, Facebook with the “like” button and status update responses, Twitter and getting responses to tweets… everything is intended to be a virtual pat on the back to just prove that you exist.

While narcissism extends far into adulthood, there is no denying that it is far more prevalent among children (especially teenagers) and their rebellious age. It is always about finding your place, understanding where you fit into the world, blah blah blah.

What does everyone think about this? Would you describe it differently? What other reasons do people have for joining and participating in these social networking communities?

On March 23rd, I came home to see the standard orange/pink-ish slip the post office leaves when they have a package that will not fit in the mailbox that they attempted to deliver (but would not just leave on the porch for whatever reason). I could take this slip to the post office to pick up the package.

On March 27th, I placed an order on Amazon for a new microphone, XLR cable, and windscreen.

On March 28th, Amazon e-mailed me to tell me that the XLR cable and windscreen had been shipped (the microphone would come separately).

On March 30th, I finally had a chance to go down to the post office with my slip to pick up the package with my digital audio cables. I went there directly after work without first stopping off at home. I handed the slip to the nice lady behind the counter, she gave me a box, and I went back out to the car. As I walked to the car, I remembered that the slip had said “oversize envelope” as a description. I was holding a box. I opened the box to find the windscreen and XLR cable. I walked back into the post office and explained to the lady that I was pretty sure I had another package there waiting for me. It was impossible for the slip that I had just brought in (received on March 23rd) to be for an item that had not yet even been ordered at the time (March 27th). The now-sassy lady dismissed me away saying I would have another slip if I had another package, and she walked away without checking for me.

There was another slip in my mailbox upon returning home, this one (obviously) being for the XLR cable and windscreen, which I had just picked up.

I really hope when I go back to the post office that there is a different person working there. I suppose as long as I have a slip with my name and address, they will just give me whatever package matches that name and address.

But seriously. Logic, people. C’mon.

So Facebook recently went through another redesign. If you use the internet for more than checking your e-mail (which young people apparently do not use anymore), you are probably well aware of this. One of the biggest changes was the way in which the “Status Update” is structured and conveyed. Personal pages look much more like a Twitter stream than the previous status update structure did, but the biggest change may be in the verbiage. The standard Facebook status update always said something like this:

Michael LaBrie is writing a blog post right now.

With the change over to “What’s on your mind?”, someone familiar with the Facebook service and has that “(name) is…” wording so heavily ingrained in their muscle memory (if it doesn’t auto-populate the word “is” for you) would probably think something along the following:

So if I type in a random update the way I would type a tweet (say that five times fast), the result is as I would expect from using Twitter:

Here is where the disconnect comes in, though (completely ignoring all the people who manually type in “is” by themselves). I typically use the Facebook application on my iPhone to keep tabs on friends and their status updates rather than using the website. Until getting the very latest update to the application this morning, if you went to input a status update, the text input screen would still say “(name) is…”. Thankfully, here is what you will get now:

So what on Earth am I supposed to do…?! It does not seem like a huge problem, but for someone as grammatically-aware as I am, you can imagine the horrors I have unleashed upon myself when I compared a Facebook status update made on the web site directly (see above screens) versus one made from the iPhone application:

Ack! Apparently I is own a house!

The “problem” (if you want to call it that) is that Facebook has trained their users with a certain vocabulary. That standard verbiage is still entirely useful and seemingly encouraged, but they have opened-up that status update to “allow” any type of wording that a user desires. I can already see the confusion among friends and family with the way they have been typing their most recent status updates, and I can not even imagine how I would explain it to some of them.

While I don’t think MadThad0890 quite explained what he was trying to say all that well, I think he’s fighting the good fight in one respect, and it has absolutely nothing to do with the live-action movie.

Enough with this “not a true fan” nonsense.

While I have zero interest in FUNimation’s English dub of the series, I do not see this upcoming live-action movie as becoming a huge part of my extended fandom, and (insert a whole bunch of other things here), like MadThad says, that doesn’t make me or anyone else “less” of a fan. We’re all on equal ground. We’re all a bunch of people on the internet getting together and talking about a series that, quite frankly, next to zero of us have had or ever will have any stake in its production or even its further success. We gain nothing from it even existing, beyond perhaps our own continued friendships and camaraderie.

I may have been running my site for well over a decade (including the podcast portion for over three years), but that does not make me any “better” or “more” of a fan than FUNimation’s self-described nine-year-old born every day that pops in an edited, dubbed-only DVD to watch Broli smash up some folks. It certainly makes me a different kind of fan, and I don’t see myself being able to hold a sustained conversation with said nine-year-old, but I’d argue that his (or her!) excitement in watching a crappy action scene in one of my least-favorite animated DBZ movies genuinely rivals my own excitement when, say, a new $200 music boxset is announced.

You’re probably wondering what the title of this post has to do with anything, though. That’s a great question, so let me explain.

I think MadThad is trying to justify his own position by using us as “evidence” without actually understanding our “position” (if we even have one), and is basically reading and hearing what he wants to read and hear.

They don’t support the movie at all. At all.

Now that’s just not true. Especially when you listen to my review of the “Junior Novel” and Julian’s review of the movie on Episode #0168 of the podcast, you will hear that while we think of it as an entirely separate entity… and quite an absurdly ludicrous one, at that… I wouldn’t really call that not “supporting” the movie “at all”. As I’ve mentioned time and time again, I would love for there to be a live-action DB movie that is done fantastically, respects the source material, takes its own necessary liberties, introduces the franchise to a whole new audience, etc. Unfortunately, it sounds like Evolution is not going to be that movie, so while I support it in theory, now that I think about it, maybe MadThad actually is correct in saying we don’t support this movie.

But if I recommend going to see it just for the sake of seeing how much of a spectacular disaster it is, is that considered “supporting” it? It sounds like it’s nowhere near the level of The Legend of Chun-Li in its terrible-just-terrible state, with Evolution being more along the lines of having fun with how terrible it is.

You know what? Just like in the first podcast episode of WTF EX when Jeff and I couldn’t come to a conclusion after an hour-long discussion, I think the process of writing out this blog entry has thoroughly confused me… and I’m the subject of debate, here!

Long story short, as I’ve noted over on our message board, I think what the DB web community has always needed, continues to need, and will always need… is exactly what shônen is all about: we need friendship and understanding in an open forum. I’ve been around long enough to see every single name in the book thrown around, every half-thought-out argument tossed in as evidence or proof, and thousands of fans come and go. If we’re going to make it another 25 years, we’ve gotta stop telling each other who’s the bigger fan…

… because if you’re the one saying that, there’s a good chance you won’t be sticking around with us. Don’t let the door hit you on the way out.

Ever since the dawn of Daizenshuu EX (and VegettoEX’s Home Page and Ultimate DBZ Links Page before them), I have done anything and everything in my power to keep things as “real” and “transparent” as I can with the site. I have never asked the community for anything, and do not expect anything in return for running the site. There have been plenty of generous “donations” over the years (for example, our buddy godofchaos has been hosting the podcast for us free of charge, and we’ll be porting over the forum to his server in the near future; many years ago our old buddy Scott, or SREDBZ, used to host our website for us). We’ve even had prize donations for website contests. These have always been unsolicited, mean the world to us, and make the community a better place.

I’ve had people ask about monetary donations in the past, but I’ve always struck them down. This is for fans, BY fans, gosh darn it! Things are a little different now. I’m not a 16-year-old punk kid starting a links page. The wife and I are lucky to be two educated adults with full-time, well-paying jobs, but there’s no denying what the current economic situation is.

Time to be a little realistic. Especially with our first home purchase entering the picture, one can’t help but wonder what a couple extra bucks would mean.

There are new guide books coming out. There are new CDs coming out. Shipping from Japan ain’t cheap. Equipment could use replacing and upgrading. Thinking about trying some new conventions.

Despite never having done so in the past, I’m seriously considering putting up a PayPal “Donate Now!” button over on Daizenshuu EX. Part of me feels… ya’ know, so what? Tons of other websites, blogs, and podcasts do this (including some of my favorites). I even paid for a premium version of a podcast for a while before it unfortunately passed on, and I didn’t think twice about supporting it. I tossed a couple bucks over to the CO-OP guys right after they got laid off from 1UP.

The other part of me freezes up and feels like a total sell-out. It goes against everything I’ve tried to do in the past. I feel like we are in such a (comparatively speaking) great, financially-secure place… what right do I have to ask anyone for anything, even indirectly like this? What reason do they even have to take me seriously?

So I guess that’s what my question is. What reason(s) do you have for even taking such a request seriously? If you saw that button pop up, how would you feel? How do you think the rest of the fanbase and community, the ones who don’t take the time to respond but are just as important, would feel? What would you like to see done with any donation you may or may not make, regardless of how little or grand it may or may not be?

I’m definitely waiting to hear your responses. It’s not as important or dire as I think I’ve made it out to be, but your thoughts and responses are genuinely welcome. I’m going to cross-post this on the Daizenshuu EX forum (there’s obviously a larger reader base there right now), but please feel free to leave blog comments. If you would rather privately send your thoughts, go ahead and just send them on over to VegettoEX@aol.com.

Thanks so much, everyone!

We are cleaning out a few things in the apartment as we get ready to eventually move into the new house, and I have been pulling together all of the various magazines I have sitting around. I came across this:

Back in March 2001, an issue of Beckett DragonBall Collector had a two-page column called “DBZ Online”. It was mostly a feature about FUNimation’s official DBZ website, but the very end of the column had a little box for other (fan-created) websites that fans could visit. Lookie, here! What’s that second site listed…?!

Again, it’s laughable when you consider the source and the companion link (“Da Black Gohan”? Really? This is where you want to send people?)… but you can’t help but smile to see your stuff given some attention somewhere.

These Beckett magazines were always of dubious quality, even though a couple halfway-authoritative people signed on to do some translation and writing work. For example, in this particular issue, Greg Werner (of The Ultimate DBZ Info Site) wrote articles about DragonBall GT (two years before it would be mentioned by FUNimation in the US) and a follow-up translation of the timelines featured in the daizenshuu and Perfect File books.

Long story short, it was great to find the magazine again and get a decent scan up online so I won’t lose it. I wonder if the people on Wikipedia working on the DBZ articles will now consider Daizenshuu EX a credible source since it’s been listed/featured as an authoritative reference in a media source. *insert snarky smirk here*

YouTube has a post up on their own blog talking about devices and services that enable a consumer to view YouTube directly on their television. Makes sense, right? I mean, we know about Microsoft’s partnership with Netflix to get that service on the 360, and PS3 owners have no doubt seen the YouTube link right when they launch their browser. There are plenty of other set-top boxes and new televisions coming out with integrated services like these, as well. For those of us that live the modern, technology-based lifestyle, none of this requires any explanation.

Remember that the majority of the world doesn’t think the same way we do, though. Plenty of people are quick to point out that you can also hook up a computer to an HDTV, but most appear to be completely clueless. These two quotes stuck out to me (from what I could stand reading through):

great stuuf what is the channel number in the unite kingdom

… and…

what the number of the channel it’s gonna be on? will it work on cable

What I think this really proves is that general consumers still think of “TV” as meaning “a channel I flip to”. It’s easy for us to make fun of or at least chuckle at these types of responses, but for those of us trying to reach new audiences (ones that still don’t understand what it is we’re doing), seeing these types of comments is incredibly frustrating.

• Brazil
• Japan
• Croatia
• United States
• Japan
• United States
• Australia
• Italy
• Japan
• Netherlands
• Australia
• Germany
• Japan
• United States
• Netherlands
• Spain
• Denmark
• Italy
• United States

That’s just beautiful, and I feel like we’re actually accomplishing something…! Let’s get Daizenshuu EX as a household name in Uzbekistan, and I think I could call it a day.

You can review the situation for yourself in the blog post from last week, but long story short, I accidentally flipped the surge protector off with my main computer hooked up to it, and it wouldn’t boot after that. Thanks to a flurry of recommendations from personal friends as well as all your blog comments, I had a few avenues to go with in terms of problem-solving.

One of the first suggestions was that I might have blown the power supply in the system. I was perhaps a little hasty in messing around with things, but I decided to rip that sucker out before I did anything else. The problem was that once I got it out, I didn’t really know what to do with it! If it was indeed the power supply that was busted, we discovered it would be tricky to replace since it was a proprietary 1000-watt Dell power supply which they did not just sell as a standard replacement part. There were a few on eBay for purchase in the $50-150 range (which isn’t too bad), but I couldn’t really be guaranteed I’d get a solid product that way. Off-the-shelf power supplies wouldn’t be too helpful, since this one had both a 20-pin and 24-pin connector each going into the motherboard (very strange). For a better idea of what I was dealing with, and at Jeff’s suggestion, here’s a comparison between this Dell power supply and a sentinel machine from The Matrix.

Once Jeff and I got the darn thing back into the system and amazingly remembered/figured-out how to rewire the entire thing, the next step was to check the RAM. We took out all 4 GB and planned on going through them to see if any caused the system to crap out during the boot process. Much to our surprise, we got the computer booting right up with one stick of RAM, but with no mouse or keyboard. The boot process informed us that the system configuration had changed, and to either press F1 to continue or F2 to enter the BIOS setup. Well, no keyboard was plugged in. We plugged in the USB keyboard at that point to see if it would let us continue after a button press, but no-go. We held the power to shut the system back down. We then proceeded to put the entire thing back to normal with all 4 GB of RAM and the standard mouse and keyboard combination (though a different USB mouse than I usually use, but this different one actually being the mouse that came with the system in the first place, which I typically have plugged into the Linux system). Ah-HAH! Same result as before, with it immediately shooting to about one-quarter of the way through POST, and with no beeps to indicate any kind of problem. Reusing an image here, but this is what it looked like:

After another hard shutdown, we decided to give it a go with no mouse and keyboard, but keeping the 4 GB of RAM in the system. Much to our delight, we got through the entire boot all the way into Windows! Once we got to the desktop, we plugged in a mouse and shut it down normally. Out of morbid curiosity, I decided to try booting without the Dell USB keyboard, and a cheap ol’ PS/2 GE keyboard that I think we bought at Radio Shack a few years ago (which, again, I typically have plugged into the Linux machine).

Bingo.

For whatever reason, the Dell USB keyboard was preventing the computer from booting.

No, it wasn’t a specific USB port. We tried different ports, and I’m using all of my USB ports for various things right now (other than that Dell keyboard, of course). The only USB issues we ran into were the back six ports not working upon those first couple reboots (only the two on the front of the machine seemed to work). I’ve had this happen to me, and whatever the problem is, it seems to resolve itself. Perhaps it’s a loose cable inside; I dunno. Speaking of loose cables, the only other small matter that we easily corrected was that the top CD/DVD drive didn’t show up in Windows; it was indeed a loose cable. We were trying to figure out what the POST process was telling us when it said “drive two” was missing, but we assumed it meant a hard drive (since “slot two” out of 0, 1, 2, and 3 doesn’t have a SATA drive in there). We quickly realized that was ridiculous, since there was never a hard drive there, and the computer would neither know nor care if a random extra hard drive was or was not there.

All of those little items were corrected, though, and rather quickly at that. With all of those minor issues out of the way (and after copying over Episode #0161 of the Daizenshuu EX podcast, which was being held hostage on one of the hard drives, to three other locations just to put my mind at ease), we figured we may as well just go ahead and install that new video card! Jeff thought it was so new and clean and pretty that we should take a picture of it before tossing it into the mix, so here you go:

That’s an ASUS EN9800GT PCI-Express blah blah blah card. It’s $129.99 on Newegg, has a $25 mail-in rebate, and came with a free copy of Call of Duty: World at War (which I played for approximately sixty seconds in the campaign mode on easy before dying from a grenade, despite there being an indicator on the screen). Anyway, everything’s running silky-smooth now, including Prince of Persia which looks gorgeous. I was also able to finally beat Portal that Saturday evening, with the entire group huddling closer and closer to the screen during that final level and amazing boss battle. Yes, it took me a while. Yes, I’m slow at games. Yes, it was amazing.

I’ve also picked myself up a UPS to put over in the corner with this machine. It was incredibly stupid of me to not have one in the first place, and while it’s unfortunate that I had to deal with the ramifications of my own shenanigans, it at least prompted me to finally take care of it. I actually can’t remember off the top of my head which one I grabbed, but it was one of the “Geek Squad” ones from Best Buy (I’ll update and add in a link later when I’m home).

So there you have it. Problem solved, and I learned a ton of stuff in the process of fixing it all. All this nonsense due to my carelessness… and a keyboard.

… which, by the way, works on the Linux machine perfectly fine and doesn’t prevent it from booting. Rofls.

First and foremost, let me make it explicitly clear that I hold absolutely no (serious) delusions of grandeur and hardly see myself as any sort of true “celebrity”. With that being said, I also have been running prominent (for their community/audience) websites for well over a decade, moved on up in several hobbies, presented at conventions, etc. I’m out there. People know my name and plenty of other things about me. People have come up to me in public. I’ve been asked to sign things (OK, just once that I remember). OK? OK. Just sayin’.

While I occasionally read a little too much idealistic and unrealistic prose over on Techdirt, as a whole I really enjoy what is posted there, and tend to agree more than disagree with what Michael Masnick has to say. Above-mentioned review of my YouTube comments and a few e-mails to Daizenshuu EX perfectly mirrors the title of an article from the other day, “Reading Comprehension: A Terrible Thing To Waste“.

In 2007, some people who somehow signed up for the program without meaning to, started Google searching the program — and commenting on that post, often complaining that they were signed up against their will. In April of 2007, one person noted that the charge on his credit card was denoted as being for AMZ*Prime Club. Within days, if you did a search on that phrase, we were the top result. At first, our comments started to fill up with angry messages from people who claim they never agreed to sign up for the program. Then… people started emailing and calling us demanding a refund.

Particularly with our “Rumor Guide” and detailed explanations of things from the originial Japanese reference material, many people write in to “correct” us, but end up saying the exact same thing, simply in their own words (and typically with FUNimation-only verbiage). It is almost always followed and ended by some snarky comment, demanding praise for their valuable time wasted on us (that’s if it hadn’t already started with a horribly-written insult). Just like Techdirt ended up:

Five minutes later, she replies:

How the hell do I contact Amazon – it seems to me that you and Amazon are probably working in collusion to fleece people.

And… with that I give up. Apparently, it wouldn’t matter how clearly Amazon explains their program. There are still some people who will not be able to figure it out.

… I have had too many instances where responding back and forth with readers/listeners/fans ends up with me tossing my hands up in the air. While the following example is not one where I responded back and forth with the author (I didn’t bother replying at all), and is also not an example where they don’t realize they are actually agreeing with us, it still fits in with the whole mentality of these sorts of comments. This may be completely over-the-head of my non-DBZ-fan friends and readers… but chances are, if you’re here reading this, you have some familiarity with DBZ ^_~.

In your rumors guide, u said that Trunks can’t reach SSJ2.. and your reasoning was that because it was a big deal when Gohan ascended to SSJ2 and beat Cell..

However u didn’t consider that the “big deal” could have been over Gohan’s power and NOT over the SSJ2 transformation. We all know 2 Saiyans can have different strengths even if both are SSJ form. For example, Trunks and Goten in early SSJ form can’t beat Vegeta or Goku. Also, SSJ Goten was slightly weaker than SSJ Trunks.

What I’m tryin to say is, ppl weren’t surprised at the new “SSJ2″ form that Gohan transformed into. The big surprise was over the fact that Gohan’s SSJ2 form was even more powerful than Goku’s and Vegeta’s SSJ2 form.

Now, back to Trunks. During the Cell saga when Future Trunks fought Cell, he clearly became an “Ascended Super-Saiyan”. Even the episode was titled “Trunks Ascended”.

Later on, during the Majin Buu Saga, episode “230 – Super Saiyan 3!”, Goku CLEARLY stated that an “ascended super-saiyan” is also known as “super saiyan 2″.

So there u have it.. Future Trunks WAS indeed able to become SSJ2.

There are so many things wrong with this e-mail. They are clearly writing in response to one particular entry in the “Rumor Guide“, and yet despite having a well-researched and correct explanation in front of them, there is some… I don’t even know what to call it…? I don’t think “sense of entitlement” is the right way to explain it, but it’s along the same lines. As I’ve noted time and time again, there seem to be a large contingent of FUNimation-only fans that yearn to “correct” information based off the original Japanese… and while that’s not to say there isn’t the opposite (I mean, hello!… I’m right here!)… oh, you can see where this is going (an “It’s FUNimation’s own fault there’s a fractured fanbase, not mine” editorial is too much effort for me, these days). Let’s just move on.

The other article I wanted to point you over to was “Some Things Need To Change” by Michael Arrington over on TechCruch. Arrington takes a lot of flack for things he does and says, but at the end of the day, I think he’s pretty accurate in saying:

I write about technology startups and news. In any sane world that shouldn’t make me someone who has to deal with death threats and being spat on. It shouldn’t require me to absorb more verbal abuse than a human being can realistically deal with.

Again, please refer to the beginning of this entry where I plainly state that I’m not placing myself among the larger crowd of genuine success stories in the tech world. I’m just some guy on the internet talking to other nerds. There are clear parallels and warning signs, though. Do I really want to take any of my projects “further”, whether it’s a legitimate business or just a highly-expanded-upon hobby-venture? If there are already fake YouTube accounts set up with the sole purpose of insulting one of my websites (whoops; just legitimized it by acknowledging its existence!), repeatedly have to delete anti-Japanese comments from my actual YouTube account… blah blah blah. I don’t mean to make it out to be a larger situation than it really is (let’s be honest… it’s not). At the same time, they’re all horrible reminders about what kinds of people are out there, and how easily they have access to provide “feedback” to you. Why should anyone have to put themselves in a position where that’s even a realistic situation? Perhaps I’m being the unrealistic and delusional one, expecting and hoping to just go about my business having fun with enjoying things without receiving negative comments in response.

The problem is that I love what I do when I’m not hiding from some crazy fucker who wants to kill me or being spat on by some unhappy European entrepreneur we didn’t write about.

CONCLUSION: My buddy David summed it up pretty well when he told me…

I think YouTube, Hulu, and similar large online forums just show how the world really is: loudmouthed, hateful, and ignorant.

Also, if your first name is “Michael”, you appear to be doomed on the internet. Even further additionally, does John Gabriel’s theory just make that much sense?

As I’ve stated before, I’m not looking for “sympathy” or even agreement with the topics discussed and relayed in these types of posts. People seem to like the “behind-the-scenes” look into how things are done at Casa de EX (like my podcasting setup), and I figured this all worked together nicely to provide yet another view. Especially if you disagree with what I’ve presented, I’d love to hear your thoughts.

Pretty interesting how I’ve essentially degraded internet comments to a worthless pile of trash not suitable for a second glance, and then say I value them. Let me instead end it on a funny e-mail.

From: < name removed >
To: vegettoex@aol.com
Sent: Sun, 25 Nov 2007 7:04 pm
Subject: PLEASE RESPOND¡¡

You know Yoshio Anzai (shueshia) ?
Please give me information about yoshio anzai and contact information for yoshio… please
ATT: < name removed >
Bogota Colombia
Thanks

Hey, it’s snowing outside!

(Any uplifting things you’d like to hear about? )

Yesterday early afternoon I was unplugging my laptop’s power cord from the surge protector which the main rig is also plugged into. I accidentally flipped the switch on it, effectively cutting power to everything there. No biggie. Nothing that hasn’t happened before. Flipped the switch, and everything immediately came back on (monitor, computer, stereo, scanner, wireless headphones, etc.). I headed out into the dining room where I was working on hooking up the new HD digital camera to my laptop (sorry; that’s all work-work related, and not play-work related!) and installed a few things.

When I wandered back out to the main rig, it was sitting on this screen:

Very strange. I figured it perhaps just got itself hung up, and I would reboot and go into Safe Mode if I had to. Manually turned it off, let it sit for a minute, turned it back on… same thing. OK, now this is getting bad. I completely unplugged everything and let it sit for a long while, in the meantime consulting some friends online for opinions.

The opinions started pouring in that perhaps the power supply fried itself (or something along those lines). I found it very sad that such a simple little thing would cause such a drastic effect, but I suppose it’s not unheard of. This is also one of the aspects of computer hardware I know very little about; I can install a new optical drive or a hard drive or even a stick of RAM, but that’s about the extent of my internal-computer-knowledge.

(NOTE: Yes, everything whirled-up and sounded pretty normal when I rebooted it. The green lights on the front USB ports indicated they had power. The monitor definitely isn’t “frozen” with a burned-in screen, or anything, because I can cycle through inputs and it changes to show that it has no connected source.)

I ended up at Best Buy and picked up a 700 watt power supply, which was a contrast to the 1000 watt power supply inside my Dell XPS 710 (but all opinions seemed to be that 1000 watt was pretty ridiculous, especially considering I wasn’t exactly launching any spaceships with this computer). I had to spend some time at the in-laws’ after picking it up, but jumped right into potential repairs upon returning home. I eventually figured out that I needed to remove all three of my hard drives in order to get access to pulling out the pre-existing power supply, and it was around then that Jeff was able to run over and help me pull it apart.

Holy Hell.

Long story short, the power supply that came with it is a proprietary 1000 watt monster. I know very little about what I’m about to mention, but it had both a 24-pin and a 20-pin connector (yes, two of them) that went directly into the motherboard, which seemed very different from not only the new 700 watt power supply I picked up, but anything Jeff had seen before. As opposed to the new power supply, The Beast had all of its wires coming directly from one spot (which you unfortunately can’t see off-screen to the left in the above picture), all filtering and twisting and winding throughout the system. We eventually managed to feel them out and get every single last bit unplugged from devices, but now I’m pretty much left with a system that has no power supply.

This is all assuming the power supply was even in the issue in the first place, which I never really got full confirmation on (not that I’d ever be able to). I called Dell customer support out of morbid curiosity (warranty expired exactly a year ago), and after being potentially up-sold to “North American-based premium customer support”, I spoke with someone I could barely comprehend and ultimately had to say goodbye to without any real help.

So now I’m out in the cold all by myself. If it is indeed the power supply, Dell does not directly sell a replacement, so I’m potentially buying a new or refurbished one off of eBay ($50-150). If that’s not the problem… well… what is? And how do I even tell?

I’ve got a GeForce 9800 GT showing up this week, too… I was planning on finishing up Portal with it and running a bunch of other stuff all silky-smooth…

Didn’t sleep much last night due to my frustration. This is on top of a 360 whose graphics card fried itself alive (not covered by Microsoft’s extended warranty, though I’ve since paid the $100 to have it replaced), and a spontaneously-bricked PSP whose current status is theorized to be a fried motherboard (which cannot be brought back from the dead with a Pandora’s Battery, which I’ve already tried courtesy of Corey, and I will thus have to pay $100 to get it replaced or just buy a new one), and a Rock Band drum whose blue pad snapped a wire inside.

(To answer a couple quick questions, yes, if I get it back up and running or can hook up the SATA hard drive with Episode #0161 on it somewhere else, I’ll go ahead and post that show. If not right away, it will be retroactively posted in the future. Yes, I should be able to record another show on-schedule next week if we feel up to it… I can record on the laptop, and do all the mixing on the Shuttle which has all the project files and bumper music masters. Knock-on-wood, but here’s hoping that main C:/-drive isn’t farked… should be completely fine, though…)

• daizenshuu
• dragonball fansite
• dragon ball fansite
• dragon ball podcast
• dragonball podcast
• dbz podcast
• best dbz website
• best dragonball website
• best dragon ball website
• dragonball website
• dragon ball website
• dbz website

I don’t know if anyone actually uses those types of search phrases, but if they came to mind for me to use, perhaps someone else will do the same. There’s still a long way to go for us to show up for simple searches like “dragonball” or “dbz”, but hey… we’ve gone eleven years and have done this well. What’s another decade or so? We’ll out-last everyone and end up on top by default .

Anyway…

I have had this little issue for a while, but have not been able to solve it as-of-yet. When Apple decided to allow wireless downloads of podcasts to the iPhone from within the iTunes Store, I decided to try it out with Lo-Fidelity.

It worked perfectly fine, except that I am completely unable to locate it for deletion when the phone is connected to the computer and the iTunes application. It is not under “Music” and it is not under “Podcasts”. It simply does not exist, as far as I can tell. Except… ya’ know… it actually is there somewhere on the phone’s drive, since I can still tap and listen to it.

Thoughts? Similar experiences? Solutions? I haven’t tried downloading any more podcasts over WiFi for fear of not being able to delete them. I have to imagine this is some sort of strange, isolated case…

Hello. Today is Monday, December 15th. We are calling regarding an important, personal business matter. This call is NOT a sales or solicitation call and requires your immediate attention. Please return this call before end-of-business Tuesday, December the 16th, to 1-877-857-9756. You may return this call between the hours of 8 AM and 9 PM eastern standard time. Again, that number is 1-877-857-9756. Thank you.

Please note today’s date. Yes, today is January 21st… not December 15th. There’s strike number one. OK, fine. Strike number one was even calling me in the first place, and this was a strike after many strikes within the actual voice message. But still… seriously? And you’re calling before your actual “business hours” even start…?

When you Google around with the phone number, you get a variety of responses on forums and “Who called me?”-type sites. Some claim it’s a scam, some claim it’s a hijacked (but legitimate) number, some claim it’s a debt collection agency, etc.

Being that I don’t exactly owe anyone any money, that’s certainly not the case with me.

I received a couple of these a few months back, but with personal voice messages as opposed to this pre-recorded one. While en-route between the ceremony and reception for the wedding of a couple friends a couple months back, I decided to actually return the call from that previous annoyance. A very grumpy lady answered with no identification. I explained to her that I kept receiving calls from this number and I would like them to immediately cease. She asked me to confirm my phone number. I told her that if she was unable to see which number I was calling from, there was little chance that they were any sort of legitimate organization and I had no desire and was under absolutely no obligation to divulge any information about myself. She (obviously) started getting very angry, and refused to identify herself or her organization despite my repeated attempts at asking, claiming they “represent” many organizations. I ended up hanging up on her since I was getting nowhere, and I hadn’t received any calls from them since.

I wonder if this is the same place, or if I am just cooincidentally getting hit up again? I know there has been yet another disastrous credit leak due to a keylogger inside the Heartland systems, so everyone should be on their toes with nonsense like this.

It’s no secret that I love podcasts. They provide an excellent complement to just listening to music, and for someone who works a job where my ears can be free when I want them to be and can be filled with that I want them to be filled with, I love that choice. What I especially love is when honest-to-goodness friends get in on the action, and especially friends that I don’t get a chance to see every weekend. It stinks that some of us only get to see each other during conventions (and lately weddings!) and a couple other points during the year, so whenever friends like to get in on the podcasting action and let me hear their voices throughout the day, I love it to death.

I just wanted to give a brief run-down on some personal friends who are podcasting, hopefully toss some listeners their way, and remind them that they’re great people and it’s fantastic that we can share something so incredibly nerdy like podcasting.

JEFF: Lo-Fidelity
OK, this one’s kind of a cop-out answer, since now I’m “co-hosting” the show. Originally, Jeff and our buddy Brad (both of whom I’ve known from AMVs for many years now) started up the show to discuss indie music, do some reviews, discussions, etc. I absolutely adored it, because Brad’s one heck of a stand-up fellow, the nicest guy in the world, and has plenty of worthwhile opinions to share. I had an opportunity to guest-host in Brad’s place one episode (I think it was seven), and then I got just a couple more before the show went on hiatus. Almost exactly one year later Jeff decided to start it up again, this time with me filling Brad’s shoes (not an envious position to be in). We’re really hoping to get Brad on the show whenever we can, though, so that’s great. Even though I’m part of the show, it’s a completely different dynamic with Jeff hosting it. I just show up with my equipment, Jeff hosts/moderates it, does all the editing, most of the prep-work, posts it up, etc. I actually feel more “comfortable” (maybe “differently comfortable” is more accurate) with recording this way, as opposed to being the “host” of my other shows (even though I’m surrounded by co-hosts on all of them!). It’s a great dynamic, and when I listen to the show, I still feel like I’m checking in with Jeff to see what’s going on (even though he lives right around the corner and I was right there to record with him).

BRYCE: Otaku Generation
This is an interesting case, because I met Bryce because of the podcast he’s a part of. When Meri and I headed over to Pennsylvania one night to record the show after having been invited on, that was the first time we ever actually met Bryce. Since then, we’ve been able to hang out at conventions, have him over on Video Game Conversations, and just general hang out and chill like any other friends would. It’s been fantastic to gain a friendship through a hobby like that, and is one of the reasons I haven’t completely lost hope in humanity.

KEVIN & BOB: The Appcast
They literally just posted their first episode this week, but it was so great to hear Kevin and Bob (both of whom I’ve also known through AMVs for several years now) doing a show. I was so impressed and proud of their sound quality and organization with the very first show. I’ll admit that a bunch of us are total iPhone dorks, with Kevin and Bob being the obvious leaders (thus, the podcast), so it’s wonderful to be able to listen in on my friends geeking-out.

In a nutshell, I feel like it almost lets me “hang out” with my friends a little bit whenever a new show is out and I’m busy at work plugging away at something. It sounds a little creepy and anti-social, I suppose, but it’s the truth. It’s not like we don’t actually get together in person! Really! I promise!

We have a brief series of original video clips over on Daizenshuu EX called “Inconsistencies” (which are placed on our site and also our YouTube channel). They explore changes between the original manga and TV adaptation of the DragonBall series in what we consider to be a fun and visually-interesting way. For a little side-project website, I’d say they’re pretty darn well-produced. We don’t have slick graphics and animated intros like stuff on Game Trailers, but we’ve got motion blur and decent audio!

Ever since the first (of three) clips went live, the overwhelming response has been that of FUNimation English dub fans who take extraordinary issue with someone speaking English and not only referencing terms and names from the original Japanese version, but also showing said Japanese version. General assumed intelligence level pre-conceptions of a FUNimation English dub fan who can still manage to type properly aside, these comments showcase what I feel is a huge problem with the safe anonymity of the interwebz, and especially mass-consumption social networks like YouTube. There is zero accountability, zero sense of self, and zero sense of community (shockingly opposite of what these sites attempt to create: community). I wish I could say it’s just children being children, but it’s terribly far from the truth. It’s difficult to analyze the situation without full knowledge of just who these people are, but I have to imagine it would be naive to assume they are all uneducated, bored, neglected children.

John C. Dvorak has written some interesting things regarding the value online comments, and a conversation between Leo Laporte and Amber McCarther on an episode of the net@night podcast (forgive me for not having the exact episode) placed YouTube comments at the absolute bottom of the totem poll, with absolutely zero value to society. So how about this example? Let’s take a look at it, and give the commenter the unfortunate satisfaction of attention.

Wow. You said Genki-Dama and showed subtitles. You’re a fucking Japanophile. It’s called Spirit Bomb. Stop thinking you’re cool by using Japanese terms. You’re not cool, you’re not elite, you’re just an idiot. DBZ in Japanese sucks. Everyone is voiced by the same 60-year-old constipated woman and the music is way too cheerful and mono quality. Seriously, this video made me sick because of how elite you think you are by saying Goku-sama and stuff. Fucking loser.

FALLACY: The translation of “Genki-Dama” is not “Spirit Bomb”, making the FUNimation term inaccurate. This person simply prefers that name, and therefore claims the original is somehow wrong.

TRUTH: I’m an idiot. Then again, we’re all foolish at some point or another. The verdict’s out on whether or not I’m retarded, though.

FALLACY: Not everyone is voiced by “the same 60-year-old constipated woman”. Notable American voice actor Chris Sabat provides more roles to his company’s production of the DragonBall series than any single Japanese voice actor in their own original production of the show. What they’re really trying to say? “lolz you like the gay goku voice“.

TRUTH: The music is indeed mono. Then again, the show started in 1986.

FALLACY: No-one said “Goku-sama”. They simply ran out of insults at this point and wanted to wrap it up.

I won’t lie; these types of comments do wear down on you after a while. I don’t know the exact phrase or who to attribute it to, but you have to consider that if you don’t think you’re crazy, but everyone around you is telling you that you’re insane, you should really take a step back and re-evaluate the situation. In this case, is the overwhelming negative response from these YouTube commenters the “correct” opinion? Or is it, as I’ve always held to be the case, just a bunch of childish, near-sociopaths flapping their mouths online where they can’t be smacked upside the head? I’ve never had anything more than a single, friendly disagreement at any convention I’ve ever been to before, and since I know these types of people are out there, that just leads me to believe that (a) I haven’t had the chance to be in the same room as them, or (b) they don’t have the balls to say this stuff in real life. Sure, it’s the typical “elitist” standpoint to take, assuming that these “commoners” are somehow “beneath” you… but is there any validity to it?

Furthermore, how do we overhaul the comment system to make it worthwhile? If we do so, don’t we just make it geared towards what we want to hear, rather than what the possible majority actually have to say? I guess those questions will have to be further discussed in whatever and whenever podcast we do!

Part of me wants to invite these people onto a show just to genuinely hear why they think this way and what the basis is for their points, but then the elitist side of me jumps in and just assumes they’re children that wouldn’t be able to hold a professional discussion without nervously squawking their way through, hanging up, or otherwise being useless.

Don’t get me wrong… I’m not looking for validation or support. I’ve been doing this stuff online for over ten years, and have a thick-enough skin that I can move on with my life. Just felt like sharing those thoughts, and on a place with a small-enough readership that I don’t expect that validation .

iTunes is a very mysterious entity. We have only a vague, outsider understanding of how things are ranked. That’s why it is very important to optimize your shows with keywords in their title and descriptions. This is something I absolutely did consider when starting up the podcast for Daizenshuu EX, but the final decisions definitely aren’t completely working in my favor. That’s not to say things are “bad” or “not working”… let me explain and show you!

When I started the podcast for the site, just like the canned intro says every week, I wanted it to be an extension of the website rather than its own separate entity. Sure, it can stand on its own (so can the website without the podcast), but they tie together and complement each other nicely. That’s why I decided against calling it something like “OMG DRAGONBALL DRAGON BALL DBZ PODCAST”, and simply went with Daizenshuu EX – The Podcast. We have “DBZ” in the description of the show (“DBZ discussions, reviews, and the latest news from…”), but…

Consider when someone comes along and puts those keywords right in their title rather than just the description. There are a couple podcasts to go along with blogs for the upcoming live-action movie, and there’s something called Dragon Ball Z Universe! – The Podcast (which appears to be by a fan of our own website and podcast, but doesn’t really seem to be an actual audio podcast, and more like PDFs delivered via RSS every so often). This was all fine and good, since if you’re searching for “dbz” or “dragon ball” or “dragonball“, anything that came up would be entirely (OK, mostly) relevant.

Now there’s a “podcast” simply called Abridged, which as far as I can tell is completely unrelated to the production any of the actual “Abridged” series out there, and is just some guy or gal collecting episodes and putting them up for download via an RSS feed (thus the “podcast”). This is completely fine; don’t misunderstand me. However, since the “Abridged” phenomenon is getting so huge, even though they don’t have any of TeamFourStar’s DBZ Abridged episodes up in the feed yet, simply referencing those entities by name seems to be pumping up their “relevance” in searches according to iTunes.

Again, don’t misunderstand me… I have no problem with these “podcasts” (which isn’t an entirely accurate term for some of them) getting attention and an audience. That’s awesome. Far be it from me to tell anyone not to create content and get fans! The problem lies with our own show, being what I consider the most relevant for those general search terms (we cover anything and everything DragonBall, as you know!), getting pushed out of the most-visible locations!

When you do a search for “dbz” in the iTunes store, we used to show up as one of the two podcasts in the mini-section “Podcast” bubble at the top. No longer true!

Now you have to click through to see us.

In a further bout of confusion, we don’t show up at all for a search of “dragonball“, but show up as #43 in the general search for “dragon ball” (and still needing to click-through on the “Podcast” bubble to find us there).

So let it be known that for ultimate visibility, it certainly helps to have a more generic name! That’s OK… in my delusional world, we’re the best at what we do ^_~. And hey, if YOU dig what we do, spread the word! Tell a friend! That’s what shonen is all about… friendship and camaraderie!

The feed URL that should should be using (and is now linked throughout) is: http://www.vegettoex.com/blog/feed/

By the way… if you read this blog and haven’t responded over on this entry letting me know you’re here, absolutely do so! I’d love to know who’s checking this thing out. Thanks so much!

As you may or may not know, I’m a somewhat big fan of The Legend of Zelda. In fact, two of the series’ games make up my top three games of all time. I have a strange history with the series after 1998, though. I found myself really wanting to enjoy Ocarina of Time, but simply losing interest (and quite frankly, becoming horribly bored with the game) after getting about halfway through. I tried playing another three times since then, and each time I got through less of the game before it bored me to tears. I started Wind Waker and got to the second dungeon before my now-classic “randomly dropped the game” syndrome kicked in. I didn’t play Twilight Princess at all, and instead watched Meri play through the entire thing. See, she’s the 3D fan for the series, while I champion the 2D games. It all works out in the end.

Regardless of this fact, I still adore the story and implementation of Ocarina of Time in nearly every way, even if I never got through the game. To know that there was a manga series about it certainly raised a nerdy interest in me, and when I heard that Viz would be bringing it state-side, I was all over that.

I think it’s really important to take a quick look at the ways in which I’ve viewed Link as a character, though. With the exception of Zelda II’s wonderful, “I FOUND A MIRROR UNDER THE TABLE“, Link has essentially been mute from his debut onward (with the additional exception of fighting noises from the N64 era onward). This, however, is only in gameplay. There have been other areas in which Link has fleshed himself out a little bit, and I wanted to look at some American and Japanese examples that form my idea on just who exactly Link is before diving into the manga review.

With the games themselves out of the way (and ignoring anything and everything on the CD-i), there’s no getting around the Super Mario Bros. Super Show’s special Friday inclusion of the Zelda cartoon. Link suddenly became a snarky horn dog, far removed from the emotionless splash of pixels we had all become used to playing. The iconic, “Well excuuuuuuuuse ME, Princess!” ended up defining Link as a character for many fans for many years, probably up until around the time that more games came out to help wash away the memories (don’t get me wrong; I enjoyed the show!). It seemed like an all-too-obvious American, 1980s/1990s take on the character, and is certainly the most distinct of any incarnation.

Let’s jump over to Japan, though.

The first Zelda manga I ever picked up was actually a gift for Meri sometime shortly after 2000; it was one of the 4-koma comic series. For those unfamiliar, think of your typical American comic strip in a newspaper. The panels are the same size, run consecutively/chronologically, and tell a short (usually humorous) story. Series like Azumanga Daioh also were released in the 4-koma style. In this particular manga, there are a whole bunch of these very short (funny!) strips throughout the issue. Picking up bombs, finding hidden places… all the usual scenarios you would expect to play in a Zelda game are represented. While I cannot fluently read any of the text, the artwork is enough to get the hilarity across.

At Otakon 2007, one of the Japanese bookstores was unloading cheap copies of Akira Himekawa’s manga, so I picked up two random volumes. These would be the versions that Viz would eventually bring out to the US about a year later. I didn’t do much other than flip through them, but I could tell that Link was at least talking with other characters and going about with his adventures almost exactly as we saw (and played) in the respective video games.

This takes us up to the American release of the manga, and the actual “review” of it (geeze, it seemed like it took a long time to get here!). With all of these “versions” of Link in mind, it was tough to jump into this and figure out how to accept him as a character. Add to that the fact that Viz brought it out under the “Viz Kids” label, and as a guy in his mid/late-20s, you start really wondering how or why you should read it at all.

Yes, there will be “spoilers” in this review (both for the original story from the game, as well as new plot points added to this manga).

Since this particular manga tells the story of Ocarina of Time, I found myself assuming the role of that Link in my head, and I did so pretty easily. I knew where the story was going and how it was going to get there, but also knew that some plot points may be different.

It was a little tough to get used to a character that was so verbose, especially since Ocarina of Time (the video game this manga is based on) really solidified the “mute” Link. He clearly has “conversations” in the game, but you only ever get the OTHER characters’ side of it. Instead, the manga presents us with a character not afraid to show emotion both with his body and his voice, and even has plenty of internal monologue moments. It makes sense, and most likely wouldn’t work too well as a manga without these traits (though I’m sure plenty of doujinshi have explored this).

The story had enough nods to exact scenes from the video game to satisfy that itch, but also presented enough new plot points and character development to make me want to read it rather than just go play the game for myself, instead.

Things directly from the game that I liked included Saria waiting for Link by the bridge on the outskirts of the forest, carrying Princess Ruto around for a while inside Jabu-Jabu, and shooting an arrow into the painting to fight against the ghost/spirit version of Ganondorf.

Some of the new elements are what really help the story shine, though. The Stalfos that gets personified as something more than just a random, nameless bad-guy (it meets and battles Link both in the past and future) was a nice touch. One of the most heart-breaking parts of the manga was Link’s little dragon friend that was corrupted into an evil beast, which Link was forced to behead and kill in order to save the Gorons.

Even with a couple of these more “intense” story moments, they are not enough to bring the entire package to anything more than standard kids fare (and at times, maybe a little too childish). The Zelda franchise wouldn’t attempt to show its slightly darker side until Twilight Princess (though I’d argue that the Nightmares in Link’s Awakening did it first), so while it does make sense to have this particular manga be so heavy on the children focus, it might partially alienate the fans that have grown up with the series looking to jump into the manga. Sure, the manga is eight years old at this point, but I don’t see myself having too different an opinion on these elements eight years ago, either.

At the same time, what else should I expect? Nothing, really. I expected a children’s manga, and that is exactly what I got. Perhaps I was hoping for a couple extra bits here and there that might be more “adult” in tone, but it was not meant to be. That being said, I don’t mean to diminish what is actually presented and done well, which is the vast majority of what I’ve read.

I found the artwork a little busy and confusing at times (I had the same thoughts recited back to me by Meri, so I know I’m not alone). The logical flow didn’t always seem so logical, and the fading of edges and spreads could be misleading. The art seems to be very shoujo in style with trends of shounen story development (and with “Akira Himekawa” actually being a pen name for “A. Honda” and “S. Nagano” [both women], and the Zelda series also having a strong female fanbase, this makes a lot of sense).

One thing that made my inner-nerd rise up in protest (both figuratively and literally, in that I couldn’t resist pointing it out to Meri) was the note on one of the in-between-chapter pages showcasing Link on top of Epona which says, “It’s unusual for him to hold his sword in his left hand.” Sorry, ladies! Link has exclusively been left-handed throughout his entire history, and wouldn’t be shown holding a sword in his right hand until the Wii version of Twilight Princess at least six years after this manga’s publication! Sure, it’s just a minor thing, but if they were going to make such an obvious note of it, that note should not be so glaringly incorrect!

One important “defect” with this particular Viz version of the release is the misalignment and binding of some of the pages (mostly toward the middle and later on in the volume). It seems to have been placed too far into the middle of the book, rendering the ends of some sentences completely unreadable. Hopefully this is fixed in future printings (this particular version I own is the first printing from October 2008).

While I have only gotten around to reading the first volume of the Ocarina of Time series (of two total), I look forward to grabbing the second volume and all subsequent releases (hopefully Majora’s Mask, etc.). Volumes one and two are available now from Viz under the “Viz Kids” label for $7.99 a pop. It’s a nice way for me to quickly re-experience games that I enjoy in theory, but can just never fully get into when I sit down to play.

So back in mid 2005, I decided I was going to jump on this “podcast” bandwagon with Daizenshuu EX. I was looking for something “new” to try out, and I always liked doing things bigger & better with that site. For our first episode, I’m pretty sure I used a very cheap (~$10) headset I had lying around (which has since broken itself into a million pieces because it was so cheap). After that, I moved on to what most people seem to do when they have no idea: RadioShack!

Before getting into that, I should at least mention the way I record things. With Daizenshuu EX, we try to have Julian on as much as possible (which can be difficult when he’s over in Japan, but we do our damndest). I have found that for me, the best way to record him on my computers has always been to have CPU #1 output Skype to CPU #2, which records Julian on his own audio track. You may hear Dave & Joel do a “1, 2, 3, *clap*” during their recordings; turns out we do a very similar thing. This lets me line up the claps on both audio tracks so I can edit them together in sync with one another. I actually do the clapping myself which gets recorded on both tracks. I know, I know… I just said that Julian gets recorded on his own track. Let me explain.

My main computer is a Windows XP machine (started out using our Shuttle, but have since moved on to our big XPS; this doesn’t really matter, though). All of the recording stuffage from our local side goes into the “line in” port on the computer. Here are my audio properties while recording:

You’ll note that the “Line-In” port is muted on the local side. This is a bit misleading. What it is actually doing is preventing any audio coming in over that port from being output from the line-out port. In a nutshell, it comes in (and gets recorded), but doesn’t go out. This allows me to:

(1) Run Skype on CPU #1
(2) Record myself on CPU #1
(3) Only have Skype’s audio running over the line-out port to CPU #2

Is this a great way to do things? Probably not. Are there better ways? Probably. It works for me, though. It allows me to have separate audio tracks for each of us, which means I can process the audio differently for each of us (there is more “clean-up” that needs to be done on Julian’s than on our own, mostly just due to it being over Skype).

Right now I am outputting to a computer running Ubuntu, which itself records into Audacity, the same as on my Windows XP machine. In this particular case, the OS on CPU #2 is completely irrelevant… it just needs to record whatever I want to send to it.

You might still be asking how I line up my own claps on both audio tracks if I don’t record myself on CPU #2. Easy. I temporarily “un-mute” that line-in on CPU #2, so I’m recorded on both tracks. Once I clap, I just turn it off and it’s back to Julian by himself being recorded on CPU #2.

So let’s get back to equipment. After abandoning crappy headsets for an episode (or two; I don’t remember), I was off to RadioShack. I ended up getting their more basic equipment, which worked perfectly fine for a while. In fact, it still works, but we’ve since eclipsed the sound quality by miles.

I started out with the RadioShack 4 Channel Stereo Sound Mixer ($30). It’s an incredibly basic little mixer that has four 1/4-inch inputs with their own individual volume controls, two sets of RCA inputs, and one set of RCA outputs. I have never really used those inputs, but the output goes from the RCA-to-1/8-inch (standard headset) adapter, which would be plugged into the line-in on CPU #1. For mics, I bought a bunch of their cheapest unidirectional dynamic microphones (~$20-30; similar item). Since everyone was recording into their own mics, unidirectional seemed the way to go (recording from just one, head-on direction). I eventually purchased their cheap omnidirectional microphone ($30), but never did much with it.

That stuff worked for us for… well… I don’t even remember. Quite a long period of time. Maybe two years…? With a combination of tweaking levels and working with other software (things like Levelator), I was able to get it sounding halfway decent. There was a huge room for improvement, though, and once I realized we were actually serious about this, I decided to upgrade equipment.

To this day, though, I still use their desktop microphone stands ($11) and gooseneck microphone extensions ($8). I also have their standard “Heavy Duty Microphone Stand with Cast-Iron Base” ($28), which is mostly used for playing Rock Band, though we also toss Jeff’s mic into it (since his mic doesn’t use a shock-mount like the MXL 990s). Definitely time to upgrade to some boom stands, though. Anyway…

When it was time to upgrade equipment, I figured that since I didn’t actually know the technical ins-and-outs of audio, I should get some quality material, but not go completely overboard. After doing a bit of research, I ended up with the Behringer Eurorack UB802 ($60) for a mixer, and the MXL 990 condenser microphone ($50-70). I am able to get a really nice sound out of these, which is leagues ahead of anything I was able to get out of RadioShack equipment.

That only covers me, though. What about Meri? What about other local guests? Well, I suppose I could have gotten the next step up with the Behringer mixers with additional XLR inputs for mics (I actually did get the 1202 for work earlier this year, which is great), but we have been able to manage. I tend to end up with Jeff’s microphone here a lot, so if it’s here, I toss it over to Meri (or I have another MXL 990 sitting around, which also works). For the record, Jeff has a Shure 8900 dynamic microphone ($50).

More than two of us? That’s a problem, since the 802 only has the two XLR inputs, and I can’t get enough volume/gain out of the old RadioShack mics by plugging them directly into the 802. I need to pre-amp them with… gasp… the old RadioShack mixer.

Yep. For right now, if I have three or more people locally recording, I use a combination of the Behringer and RadioShack mixers. The RadioShack mics go into the RadioShack mixer like always (and up to a volume of about three or four), which then gets output as a whole over to the “Tape In” on the Behringer mixer. That can allow me up to six people locally recording with their own microphones, though this is not an ideal situation. Any more than one extra mic starts to really contribute to extra noise, which is a real pain to deal with cleaning.

So that basically takes us up to today and how we record shows. I do all of my recording into Audacity, and use a combination of its own noise removal filter and Levelator to balance out shows. I actually piece together segments with their bumper music over in Adobe Premiere, since I like the easy drag-and-drop of the timeline more than trying to do it in Audacity.

My typical Daizenshuu EX workflow looks something like this:

(1) Turn off cell phones, test levels, make sure everything’s recording on its proper audio track, etc.
(2) Record actual episode
(3) Export the two individual audio tracks from each computer
(4) Toss each audio track into Levelator
(5) Bring the levelated audio back into a new Audacity project
(6) Run noise removal on each individual audio track
(7) Drag both processed audio tracks into another new Audacity project
(8) Line up the claps from each audio track
(9) Edit episode
(10) Export, encode, etc.

There’s still so much for me to learn and things I specifically want to learn about, but it’s pretty daunting. I’d love to upgrade to a bigger mixer at some point. I would also love to learn about things like noise gates and compressors (I’ve had my eyes on the DBX 266XL Compressor Gate for a while; ~$120). I’ve heard Rym note a few times that for podcasting purposes, dynamic mics are better than condenser mics, so I’d like to investigate that a little more (I do think that my mic picks up more than it should and then messes with the balance a little bit; I also can’t wait to move and not have things like our current loud refrigerator always being picked up). I’d also like to move toward non-analog input. I’ve played with the Behringer U-CONTROL UCA200 USB Adapter (UCA-202; $30 sold separately) that came with the 1202 mixer, and it does help cut out a tiny bit of noise. Unfortunately, the USB interface seems to take over and negate what I’m used to doing with the muting input going to CPU #2, which totally throws off any Skype recording I would need to do.

So that’s basically it! If anyone’s interested, I’d be more than happy to further explain how I do things, but I have to follow that up by saying that I literally have no idea what I’m doing and continue to be learning as I go along. I’d love additional suggestions and clarifications from people if you have anything to offer!

Prompted by discussions I have had with friends over Anberlin’s new version of “The Feel Good Drag“, I decided to take a look at it and four other notable re-recordings from my library. What made the original version good or bad? How about the new one? Was it worth re-recording in the first place?

I do not really have much of an idea what imeem is, but it appears that there are just a whole bunch of songs up for free streaming, and they tend to have links to purchase the song if you are interested. I guess you have to sign-up/login if you want to listen more than once…? Whatever. With that in mind, I suppose I will just link over to there (where available) so you all can listen along with the music (rather than me putting up ten MP3s in a single blog post).

For the purposes of this list and discussion, I will not be including demo versions of songs as the “original” version. If I were going to do that, I would have at least five versions of Saosin’s “I Wanna Hear Another Fast Song” / “Sleepers” that I would have to compare…! Also, versions from an EP that appeared right on the next full length essentially as-is from version to version (such as The Get Up Kids’ “Red Letter Day” and Finch’s “Letters To Youi”) also will not count for this list and discussion.

(1) Anberlin – “The Feel Good Drag”
Original Version: Never Take Friendship Personal (2005)
New Version: New Surrender (2008)

This was absolutely one of the best songs off of Never Take Friendship Personal, which itself was a near-perfect album beginning to end. Anberlin has stated that they wanted to bring this song back because it never got the “chance” it deserved previously (and ended up making it their first single and music video off of New Surrender). I personally believe it was already a wonderfully-produced song, and had a pretty sick amount of emotion coming from Christian’s vocals. So what happened in the new version? It is far too “safe”. The screaming is removed from the breakdown (which itself was so far-removed from anything else Anberlin had done), and the production is far too overdone. In general, it just feels like the soul of the song was missing. It was still the same song, but that piece that made it special was no longer there. Unfortunately, that is how I feel about the album New Surrender in general; it is defintiely Anberlin, and there are definitely some good songs, but there is no spark.

(2) New Found Glory – “Hit or Miss”
Original Version: Nothing Gold Can Stay (1999)
New Version: New Found Glory (2000)

As the song that put New Found Glory on the pop-punk map, “Hit or Miss” was a pretty huge deal. The original version of the song off of Nothing Gold Can Stay was already a “single” in that a music video was already made (starring Corey Feldman, no less). The acoustic guitar opening really defined it, and while the production is not up to the level that their later material would be, it is still very clear sounding and well done. I was very apprehensive when I heard they were going to be re-recording the song for their “major label” debut (as well as their single and a re-done music video), and I remember not liking it all that much upon first hearing it. As time went on, it became apparent that the new version was indeed a solid improvement on the original, and quite possibly what they originally wanted it to sound like (and was indeed what it sounded like during live performances). Jordan’s vocals were much cleaner and at appropriate levels when compared to the music. The “I’ve had so many chances…” dual-vocals near the end are finally audible. All in all, it is a solid re-recording of the original version, and is typically my go-to version for playing (despite my love for Nothing Gold Can Stay).

(3) Reel Big Fish – “Beer”
Original Version: Everything Sucks (1995) / Turn The Radio Off (1996)
New Version: We’re Not Happy ‘Til You’re Not Happy (2005)

I will consider the version off of Turn The Radio Off the “original” version, considering that most of the songs off of Everything Sucks ended up being re-recorded for more “proper” album releases later on down the road. With that in mind, it was a total shock to see a ten-year-anniversary version of “Beer” re-recorded as a b-side for We’re Not Happy ‘Til You’re Not Happy. What was the real purpose of this, though? It sounds much more “full” and is performed slightly slower, but other than that, it does not contribute a whole lot. I simply do not have a whole lot to say comparing these two versions. The new version is just a b-side, so it is not like it was re-done as a “new single” for the band presenting them to a new audience. It is… well, it is just there for the sake of being there, almost.

(4) Saosin – “Bury Your Head”
Original Version: Saosin EP (2005)
New Version: Saosin full-length (2006)

The original version of “Bury Your Head” was presented as the first highly-public debut of replacement vocalist Cove Reber (though he had done a couple recordings prior to this, including the studio version of “I Can Tell There Was An Accident Here Earlier“). This version of “Bury Your Head” received an actual music video, done in the style of a live performance. The new version seemed like a forced-inclusion by Capitol for the band’s full-length (and while I do not have a source to quote, I believe that is the actual truth; the band did not want to re-record and include it, while the label highly suggested they do such). The new version features more drum-fills, though they do not necessarily feel like they belong here as much as they do on other new song arrangements on the album. Reber’s dual-vocals in places feel like they are there just to add to the breadth of sounds in the song, rather than enhancing what is already there in his performance. Maybe it is because the song’s inclusion was forced, but there is a distinct lack of emotion in the performance of this song compared to the rest of the album.

(5) The Starting Line – “Leaving”
Original Version: The Starting Line (2001) / With Hopes of Starting Over EP (2002)
New Version: Say It Like You Mean It (2002)

While The Starting Line technically first recorded the song during their We The People recording sessions, the entire album was more or less scrapped when Drive-Thru came along. It was then re-recorded nearly identically for their Drive-Thru debut EP, With Hopes of Starting Over. It was then recorded for a third time for their proper first full-length, Say It Like You Mean It, where it was used as their second single and music video (after “The Best Of Me“). The original version of the song has a rough feel to it, but is incredibly genuine. Kenny’s voice is still young and squeaky in the past, which would start to change for the full-length, and continue onward through all of their subsequent releases. The radio-muffled extra “Without saying goodbye…” would evolve over the versions of the song, which is probably for the better. The original version uses these cheap production tricks to try to put some extra “oomphf” in there, but I personally believe that it hurts the otherwise genuine qualities of the recording. The new version of the song does more than just change the production values, and actually changes a bit of lyrics, shortening the “As weekdays and weekdays unwind / I’ll be found staring back in time” to simply “Let’s travel back in time!” The new version also opens more akin to the band’s live performances of the song, with Kenny singing the beginning of the song’s chorus before the full band breaks in. While it could be argued that Mark Trombino over-produced Say It Like You Mean It, I feel that this song, at least, particularly benefitted from this outside viewpoint (I also agree with Howard Benson’s production of “The World” off of Based On A True Story, rather than the band’s preference of the Tim O’Heir version). The removal of the “cheap” effects really helps the song, and everything is brought into balance with each other. The new version also ramps up the chorus speed to a more noticeable level. Like New Found Glory’s re-recorded version of “Hit or Miss“, I find myself revisiting the re-recorded version of “Leaving” more than the original(s), though also like the New Found Glory song, I have a huge place in my heart for the original(s) that I do occasionally revisit.

Regardless…

Is there anything in particular you readers would like to hear some thoughts on? I will still try to post amusing pictures and such taken in the wild, but I also want to be able to type up some premeditated garbage every so often, too. If you are following this blog, you are either genuinely interested in things I may have to say, or are one of those creepy people that hates me yet follows me around the intertubes reading everything I write hoping to one day pin me on something ever-so-minute when I run for President of the World and destroy all of my plans.

Things I use? Things I do? Places I have been? Specific-fandom stories? I’m full of it! In lots of ways!

Daizenshuu EX (www.daizex.com)

While a wee circa-sixteen year old child in 1998, I started up a fansite for a silly little Japanese cartoon. One of my goals when starting up the site (written right on the web page) was a completely egotistical, slightly delusional, and childish aim to become something like a “household name”. I guess I was looking to be an internet celebrity before they existed. As the years went on and I realized that this was going to be a hobby for me and I would be entering the “real world” and such, I became much more genuine with my intents and goals for the site. I wanted to do things that either: 1) no-one had ever done before, or 2) bigger and better than anyone had done before. Fast-forward many years to 2005, and the idea of a “podcast” is suddenly becoming serious business on the internet. Due to the site simply being so old and nothing more than a hobby, many of the things I wanted to do with it were simply impossible, but starting up this new portion of it would allow me to keep up with the times, so to speak, and bring something completely new to the table that few anime sites were doing, let-alone one-show-specific fansites. It has since been the main pet-project of mine (in general and for the website), but it has also allowed me to generate some pretty amazing content that I otherwise would probably never have done, so I am very thankful for that. As more and more time passes, I find myself incredibly conflicted on what I want to do and how I want to cover it for the website; the podcast allows me to explore any and all avenues and still generate compelling content at the same time.

Video Game Conversations Podcast (www.vgconvos.com)

In very early 2008 I decided to do two things: 1) put some of my new podcasting equipment to another use to get a good bang for my buck, and 2) be very greedy and get my friends to come talk about video games with me (this is the kind of stuff we sit around and talk about, anyway, so I thought it made sense to turn it into a show!). I also had a lot of random video game musings that I did not have an appropriate outlet for, so I figured a new website that I could both randomly blog on and also do a new podcast on would be a great idea. Jeff was itching to do some recording at the time (with Lo-Fidelity being on hold), and I somehow convinced Andrew to come record with us, as well. We have now been going for half a year, and I think we have a really good basis for something very nice down the road. I am happy with keeping the podcast monthly, and I do not see that changing at all. I love that I have a place to write random bits of gaming nonsense, and I love even more when one of the other guys also write content. As you have just read (and are possibly confused by), I am slightly conflicted in my goals for the site; I want to keep it this side-project with minimal effort, but I think there is a great basis for a larger entity that I would truly love to explore. Huh.

WTF EX (www.vegettoex.com)

Once we launched vgconvos, I thought it would be nice to have a single place online that I could link out to all of these projects I had. I created vegettoex.com as this place, and further decided to toss up a blog on it so I could have yet another outlet that would be my catch-all; if it didn’t relate to DB or video games, this would be the place to write it. I then decided (does my train of thought even make any sense?) that since I had this catch-all place, if I ever wanted to do a podcast about something else completely random, well, this would be the place for it. I so far have only done three episodes, and while I have enjoyed them, this is something I need and want to be very careful about. I certainly do not want this to be (and we slightly addressed this in the first episode), “Oh, Mike just likes listening to the sound of his own voice!” It certainly isn’t. Well… is it? It is also something that I have mentioned time and time again, but there is so much garbage out there in the world that it almost pains me. Most podcasts are terrible. Most panels that I have seen at conventions are terrible. While I never pretend to be the best at anything I do and expect to automatically have legions of followers, I do believe that the material I put out is well above the level of being “meh”, and this lets me put out non-DB and non-gaming better-than-“meh” material. I will absolutely strive not to do shows just for the sake of doing shows, and will make them worthwhile and enjoyable. I have tried to do many blog posts that follow that school of thought, and I hope to continue it with the podcast in the future. Just don’t expect much of a regular schedule! In the end, I expect to use the site more for its blog than anything else, and the podcast will be an extension of that for topics that can’t be covered in a simple blog post or otherwise need more “hosts” to discuss it.

Lo-Fidelity (www.lofidelity.info)

This has almost become a second-priority podcast all of a sudden! I told Jeff I was unable to commit to a weekly schedule, so for now we are shooting for bi-weekly and we will see how it goes. I absolutely adore the format and content of the show, and I want to help my friends with their podcast endeavors in any way that I can. I thought the “first episode” we did for the re-launch was extremely solid, and I am so happy to be a part of it. Furthermore, I love that all I have to do is just do my homework (listen to music), show up to record, and my job is done. I don’t have to edit, I don’t have to mix… it’s wonderful! I’m sure this is how Jeff feels about all the project he’s done with me!

I have basically created a mini-audio-empire for myself with three (what I consider) very solid shows, and a random extra tossed into the mix. What do I want to do with all of this, though? This is all just side-project hobby stuff for me. Sure, I have a “real life” job where I do similar things (including yet another podcast), but what does this contribute to the world? Am I accomplishing anything? What is the meaning of life? Who is going to win the Super Bowl? Why did I just ask a football question when I can’t care any less about the sport?

So today Firefox on my work laptop (3.0.4 running on Windows XP Pro SP2) let me know that two plugins/add-ons had updates. Sure, let’s do it! I let Adblock Plus update itself to 1.0, and DownloadHelper update itself to 3.5.1.

After doing so, my bookmarks toolbar suddenly had nothing in it.

I checked in the “Bookmarks” >> “Bookmarks Toolbar” menu option, and thankfully the four items I had set there were actually still there. They just weren’t showing up on the actual toolbar for me to click. Huh.

I did a little Googling to figure out what may have been the problem (assuming it was the add-ons updates), and came across this blog entry. Much to my dismay, it was completely incomprehensible. Sure, there were capital letters and punctuation, but the words didn’t actually make any sense. None of the comments were any more helpful, either. I tried to follow along with what they were saying, but there was a severe lack of context in every single comment.

Luckily, I happened to resize the Firefox window (I don’t know why), and found something interesting:

What on Earth are the bookmarks doing way the heck over there on the right…?! I tried a few things (like manually dragging the icons over to the left… not that it would do anything…), but I was not making any progress. They would stay on-screen now that I had changed the window size, but they stayed flush up against the right side. That doesn’t really help me much, since I have trained myself to head up to the left to click them.

I ended up right-clicking to customize the toolbar area, just to see what would happen:

Without even doing anything on the following screen, my bookmarks toolbar suddenly reverted itself back to normal:

Well, that was certainly interesting.

A little part of me dies on the inside (in addition to the part that wants to get up and punch a brick wall) every time I see the wrong it’s/its and they’re/there/their. Just as horrific to me is when people add an apostrophe into a word when they are simply trying to make it plural.

You are not reading multiple book’s, you are reading multiple books. Nothing is belonging to the books. They belong to you.

Speaking of books, my buddy Andrew picked me up Eats, Shoots & Leaves a while back. I thoroughly enjoyed it, since I realized that I was not alone in the world with these feelings of rage (not that Andrew shares these feelings… his grammar ranges between wonderful and incomprehensible). The problem is that I simply do not know what to do with myself and this rage. It is impossible to change the world, and it is impossible for me to never encounter these errors that drive me to (non-literal; I’m just making a blog post) insanity.

I cannot even imagine what copy-editors and other similar professionals go through in their daily lives.

That’s a non-referral Amazon link up above, by the way. I do not want any money. I just want people to learn and share in my internet rage.

What you’re about to hear is a little bit of an experimentation on a few different fronts. The beginning of the episode (the “meat” of the episode, if you will) was actually recorded after all of the other stuff, which in this case is the end of the episode. Follow all that?

In a nutshell, Jeff is working to revive Lo-Fidelity (his music review/appreciation podcast), and we were farting around with my mixer and his MacBook Pro to test levels and all that kind of boring pre-recording stuffage. We ended up amusing ourselves in the process and were wondering what to do with all of that material. I suggested we just dump it over here on WTF EX, and then further decided that rather than just dump it, let’s record an “intro” to it and make it an actual episode. Furthermore, let’s not edit a damn thing other than dragging it into the production timeline and creating transitions between the “segments”.

So here you go. If you ever wanted to hear us completely unedited, uncut, and uncensored (but thankfully not in a cropped-widescreen presentation), this is it. I hold myself absolutely non-responsible for anything I said, and instead place all of the blame of Jeff. What you’re about to listen to is the ramblings of one man who had already recorded an entire normal podcast, and another who’s itching to record his own.

You have been warned. Please enjoy.

Jeff is back on this episode, and Meri also joins us, as we talk about our first-ever e-mail addresses and some early internet ignorance. I thought we had a couple pretty interesting stories, and it certainly drives home the idea that we were all stupid early teenagers at some point in our lives.

Enjoy the show, and have a great Thanksgiving weekend~!

We’ve come to the realization that beyond her occasional crashing with some HGTV… we just don’t watch anything. Sure, there’s South Park when there are new episodes, but the official website & Netflix can take care of that in due time. We’ve dropped Heroes, so that doesn’t matter anymore. For other, regular ol’ American TV shows (if we’re ever going to watch them), we’d rather much watch them on DVD without commercials, anyway.

I also finally used Hulu for the first time the other day, and found it surprisingly watchable. We checked out a random, recent episode of The Simpsons, and I was thrilled to see Dilbert on there, as well. It’s definitely making the case for a media-hub PC output to the TV, rather than just the PS3 or 360.

Speaking of which, those two are also replacing much of the “TV viewing”. No, it’s not because of gaming, but actual programming. Whether it’s material from Game Trailers or Game Videos or even some other random site, I love tossing things on DVD-RW and popping it in one of the systems for TV-viewing. That’s about to get even better with the “New Xbox Experience” and its tie-in with our Netflix account… streaming right to the TV without needing any new equipment!

At the end of the day, we’re not ever really watching “TV” and saving about $80 on a product (digital cable package + On Demand) we’re not using sure doesn’t sound like a bad deal. Are any of you living (well) without cable? I don’t see myself missing it…

I wonder how much of the standard, American perception of married life is based on reality, how much of it comes from media (and more specifically, TV shows like The Simpsons and Married With Children), and how different we may or may not be from all of that.

Is it really such a struggle? Is there really so much faux-animosity? Am I just too young and naive, still?

The optimistic side of me realizes that our situation is probably quite different than most others. We’ve been a couple for eight years, have lived together for the last four, and didn’t even get engaged until less than a year ago. There are no secrets, no surprises, no false expectations.

Anyone that knows us is well aware of how much we enjoy spending time together, and generally have little interest in persuing separate “girls nights” or “guys nights”… we’re together with everyone, and that’s the way we like it.

We had something in our wedding ceremony about marriage being a union of two people, yet those two people retain their individuality and respect for that and blah blah blah. It was one of the pieces that I wasn’t fully 100% on agreeing with, but I didn’t particularly disagree with it, either. I just wasn’t sure that it perfectly explained how we are together. (If that was the least of my concerns with all the wording, I’d say that’s a pretty good thing )

So what’s the point of all this? I’m not entirely sure, myself. The curious side of me is thoroughly intrigued to see if the supposedly-naive side of me is correct in thinking that we’ll never be one of those couples making lame jokes about how different marriage is down the road, getting on each others’ nerves, etc.

Of course, I can’t possibly predict how things change if/when children enter the picture.

For now, though… yeah, it’s the same. But with a ring on. Which I’m finally used to wearing and am not constantly fiddling with.

My involvement with the AMV community has severely dropped off the last few years due to a wide variety of reasons (but mostly just my hobby A.D.D.). Despite that, every year we bang out at least one really good piece that I or we have had in the back of our collective imaginations for some time. What I would like to do is explain where two of these ideas came from, since it’s probably not what you would expect.

It is very rare when the final video product ends up being exactly what I saw in my mind months ahead of time, and I can barely describe the pretentious joy when it does. In 2007, we were able to create a video that very nearly satisfied every bit of creative juice in my body. That video was “Never Fall Apart“, which I made together with Meri and Jeff.

If you know me, then you can probably tell that Echo Image isn’t exactly in my normal scope of musical interests. It’s not that I wouldn’t be interested or wouldn’t care for the genre, but it’s simply not on my radar. I was introduced to the song we ended up using (“Will You Know?“) on a live internet radio show done by fellow podcaster “Rob Roberts”, host of Orange Lounge Radio. At some point earlier that year, Rob was running a random live show on Wednesday evenings (I think?) simply called “The Rob Roberts Show” where he would play music, take calls, talk about random stuff, etc. In addition to Cascada’s “Every Time We Touch” (which I had unbelievably never heard up until that point), Rob played this Echo Image song, which is actually a b-side on the Standing Alone CD single. I couldn’t believe my ears. The song was absolutely stunning, and combined all sorts of beautiful, individual segments together (I’m a huge fan of incorporating acoustic guitar into electric pieces). At this point there was still no AMV idea, but I simply had to have the CD. I was luckily able to order the CD single off of Amazon for standard retail price (something like $6 or $7), instead of the $30+ it’s going for used, now.

The song embodies everything I love about my various favorite anime series, which is friendship and comraderie (DragonBall, One Piece, Pokemon, Honey & Clover… yeah, no recurring “friendship” themes at all…!). It was no stretch to end up with an AMV idea using it, and Honey & Clover made so much sense, being a recent favorite series and jumping to the total opposite end of what I normally do with shonen friendship videos (see: “I’m Above The Age Of 10 And I Like Pokemon“).

Again, it was absolutely everything I wanted the video to be, and is probably the final over-the-top AMV production I will ever create (of course thanks to Meri and Jeff’s help!).

( XviD Direct Download: 57.6 MB )

The other video is not even one I worked on in the slightest, but I suppose you could say it was “my idea”. After finishing BECK: Mongolian Chop Squad, I had a ton of random AMV ideas (once I realized that while I really disliked every single character in the show, I truly enjoyed the actual show itself and a lot of the character development). In addition to a few other ideas that I’ll shut up about since I may still actually make them, one of the “joke ideas” was “Juke Box Hero” by Foreigner. While I was vageuly familiar with the song, it wasn’t until Dave brought it up (and sang it?) shorly after the release of Rock Band on the podcast Fast Karate For the Gentleman that the AMV idea hit. When Meri was short on solid ideas for an Otakon video for 2008, I suggested this one, only half-expecting her to take it seriously (especially since she hated the song so much). Much to the surprise of both of us, the final product of “One Guitar” not only ended up being pretty solid, but has gotten an amazing amount of wonderful feedback from all sorts of people (including coming in second in its category at Otakon and winning the “Guitar Hero” award in Anime Weekend Atlanta 2008’s Exposition contest).

( XviD Direct Download: 67.2 MB )

So there you go! Two of our favorite self-created videos indirectly inspired by other random podcasters out there. Whoda thunk it?

Back in 2nd or 3rd grade (which would make this around 1990; I vaguely remember the layout of the classroom, but I am not sure exactly which grade it was) I participated in something I believe was called “S.T.A.R.S.” I have absolutely no recollection of what that stood for (Student Teachers Are Really Special? I dunno!), but the basic premise was that a group of talented (read: halfway smart) students would take an hour or so every week to head down to the kindergarten class and help the kids write. Maybe it was a journal, or even just a random writing exercise… it’s really not that important. I remember that I was always very harsh on the kids, because even at the age of 7 or 8, I simply could not understand how someone would not capitalize the letter “I” when referring to themselves.

Anyway…

This particular memory is about one Friday(?) afternoon, probably around 2 pm, which was the time that us “S.T.A.R.S.” would head down to help out. I raised my hand and asked the teacher if we were going to be going down there today, since it was nearing that time and we would need to get walking. I don’t remember the exact wording, but I certainly remember the attitude. There was a very loud “HMFPH!” and a sarcastic request for someone to “please explain to Mike” how they made an announcement in the morning that it was not going to take place today. There was lots of laughing.

I wasn’t one of those kids who messed around and didn’t listen (well, not yet anyway… high school was a different story), so I’m not quite sure how I missed that announcement. Regardless, I was entirely polite the whole time, and was quite taken aback by the response I received.

I wonder how (or if) this affected me…? I certainly remember it, so it at least had some type of lasting effect. I don’t feel particularly angry about it, or can say that I even remember it more than once every few years. It’s just something that popped up again in my mind, and I figured I should write it down.

Anyone else have any other similar memories or experiences?

This question goes out to all you Europeans out there. I should probaby have figured this out on my own (or just asked Andrew), but it gives me an excuse to use the WordPress iPhone app and put up a picture.

So anyway, what the Hell is that thing on the right of the toilet?

There was a regular sink across from it all, so I’m at a loss. Am I supposed to pee into it? It looks like another sink, but it is so low to the ground. Maybe to wash my hands if I fall? Or vomit into if I am super drunk and can’t get off the bathroom floor?

I took a look at the upcoming release schedule for October over on Absolute Punk, picked a random band, looked them up on Wikipedia to see what type of music they played, and illegally downloaded the advance copy of the album (either on IRC or a torrent site; can’t remember which).

The band I picked was Pompeii. An indie rock band with influences of Explosions in the Sky and Phil Collins, with comparisons to Sigur Ros? How could I not like this band?!

I ended up downloading their new album (which just came out yesterday), Nothing Happens For A Reason. I knew things were going to be wonderful when the first track was titled, “Where We’re Going, We Don’t Need Roads” (that’s a line from the end of the first Back to the Future movie, if you happen to be uncultured). Combine all that with the realization that I’m actually going to Pompeii on my honeymoon, the fact that “Pompeii” is a great song by Gatsbys American Dream…

Well, I have a new favorite album of the year thus far.

But here’s where it gets interesting. I saw that the band had been around for a couple years, and had a previous album released called Assembly. I quickly looked around, and saw that there weren’t any active torrents. Next I went to Amazon to see if they offerred it (both as download and as physical CD). I saw that they only had a couple left in stock.

I figured that since I already loved their new album so much, I may as well just order them both right there on the spot. Threw them both into my cart, chose the Super Savings Shipping, and had them the day after they shipped (which means I got the new album right on its release date).

I’m absolutely in love with this band and their music. I am so glad I went through the motions of my random downloading, because I otherwise probably would never have heard of them, nevermind bought two of the albums. If you’re interested, Assembly is $11.98 on Amazon, and Nothing Happens For A Reason is $13.98 on Amazon; neither of those are referral links, so don’t think I’m trying to make a quick buck, here!

For single songs, I tend to just download the most convenient DRM-free version, but for full albums, I’m all about owning the physical product. I still love opening a new CD, checking out the artwork (I mean, c’mon… look at those!), and knowing that I can rip it to any format and quality that I want as the years go on.

I am in absolutely no way trying to justify anything, or suggest that this is the typical situation or even the exception. Quite frankly, I don’t even give a rat’s ass what you think of what I did. All I’m doing is describing one experience I had. Was it beneficial to me? Was it beneficial to the band? Was it beneficial to anyone else?

Who cares? I just found two new albums that I love to death.

Needless to say, this is slightly frustrating when you live inside these types of programs and need to… oh, I dunno… actually get some work done.

First thing I did was go through the painful process of uninstalling and reinstalling Photoshop. I had done a few things recently to the system, so I figured this might just be the best option. Set it to go, went for a long walk, came back, rebooted… same problem.

I really should have done my research ahead of time, because this is a known issue with an easy workaround.

Wait, what…? Photoshop crashing with more than one image open is due to printer availability…?! You’ve GOT to be kidding.

Maybe there was some work being done around the office that I didn’t know about, and whatever my default printer happened to be was moved or disconnected. Not having printed anything for days, I can’t say I noticed. Sure enough, when I switched the default printer over to something else,  ta~dah! Suddenly able to have more than one image open at a time, again.

Seriously, Adobe? We pay how much for this? Argh. If I could figure out how to do simple things in GIMP, I might actually consider using it.

OK, no problem. I’ll just go grab CDBurnerXP, since I don’t need anything all that special.

Whoops, don’t have the latest .NET Framework stuffage installed. OK, let’s go do that. Go ahead and download that first, and start getting it installed. It gets ready to finish up and presents me with the following:

PHEW. That’s a huge relief! I can finally disconnect from the Internet! I’ve been waiting for this day for years!

Seriously, internet. You using the word “emo” is getting a little old.

How about you pick another musical genre/descriptor at random and use it completely wrong for a few years? Maybe “Schlager“? Yeah, every time someone’s happy, we can say they’re “a schlager“. Maybe something even completely different and equally irrelevant, like “couch” (yes, the thing you sit on)?

That’s it! I’ll start using the word “couch” in the same type of context. It’ll so be the next big thing. It’s equally catchy and memorable.

I’m all for the evolution (modernization, even) of language… but could you at least put a little effort into it? Know what you’re talking about?

No, that’s asking too much.

SORRY FOR SUCH A COUCH POST. I’LL GO SLIT MY WRISTS AND BE REALLY COUCH. I’M SUCH A COUCH.

As you heard in the first podcast episode of WTF EX, some of the most important things Jeff and I thought were necessary for managing time were bringing in sanity and happiness to that mix. In this particular example, what makes me more happy than anything else is being able to take something I’ve learned and experimented with in my spare time over the last few years and apply it to work. I’m actually making money doing something I love, and on top of that, I’m spreading valuable information that will make the world a better place. I don’t forget for an instant that what I just said doesn’t happen to many people, and I’m incredibly thankful for it.

How about you all? Do you have any life stories / examples of something similar?

(BTW, if you’re reading this blog and haven’t responded saying who you are, you’re obligated to do so!)

I know there are people out there that are reading this, and a few of you have already commented on a few blog posts. Just out of curiosity, though, who are you? How’d you get here?

No, seriously. I really want to know. If you’re reading this, consider yourself obligated to comment and tell me! Even if you think I know who you are and know that you’re reading, respond anyway. It’ll feed my internet popularity ego.

Which really isn’t something I need, but whatever .

Let it be known that my dad owned a Corvette for a while, and thought he was the super-awesome car guy. He got rid of it a few years ago, mostly because he didn’t really have a whole lot of time to actually enjoy it besides pumping money into it to keep it clean and shiny.

I’ve told him time and time again that it’s not OK to use my e-mail address to sign up for extra entries on sweepstakes, mailing lists for coupons at the local car supply stores, etc. I understand that he really wants to win those things, but it’s not NOT a big deal ‘cuz pressing “DELETE” on the keyboard wears a little thin after a while (spam filters are only so good, blah blah blah). It’s certainly slowed down lately, but I occasionally get one that reminds me that he’s still doing this stuff.

Today I received an offer for a complimentary car inspection from a dealership down the street from him in Richmond, Virginia (note that I live in New Jersey). This clearly says to me that he’s still using my e-mail address to sign up for things.

What does this mean? What does it say? He’s the type of person who types full URLs into the search bar, and also didn’t understand why it wasn’t OK for me to “just put in a little higher bid” on one of his eBay auctions to force the other guy to bid more. It’s not like he’s a bad guy, or anything (though he would be extremely defensive if I called him on it, again). So what is it? Are we just so in tune with the internet and its associated culture that we don’t even know how to explain these concepts and best-practices? Are they that foreign to people? Or are some people just inherently inconsiderate, regardless of the context?

One of the funnest (see what I did there? It’s topical!) things that Meri and I do after AWA is create some kind of “mix-tape” (well, an MP3 playlist that may or may not be burned to CD for my line-in-less car audio system) of our favorite songs-from-AMVs over the last year.

I’m not going to lie and say I don’t just grab a song or two from friends when they’re the ones that have done the videos (Hell, half the time they’ve sent me the song long ago, anyway). This isn’t going to be any kind of general defense or offense one way or the other on file sharing, though.

However, at the same time, I’m not going to not try and legally pick up some music every so often. I think it’s pretty important. It makes me feel warm and fuzzy on the inside. I guess it’s as much for me as it is for the artists. Regardless, my point is that the Amazon MP3 service is awesome and you should use it. Right now. Here are the couple songs I grabbed last night:

Asobi Seksu – “Walk On The Moon” (from Koop’s/Jay’s video “Twilight“) – 99 cents
DJ Spoke – “Watch Them Fall Down” (from Xavier’s/Nostromo’s video “Auriga“) – 88 cents

What was really interesting to me was that the first place I looked was still the iTunes Store. For whatever reason, that’s still where I go first. However, I absolutely will not purchase any music from there, these days, unless it’s iTunes Plus (DRM-free and higher bitrate… I think it’s 192 kbps AAC, as opposed to the standard 128 kbps AAC). The compression is better and more efficient with the AAC, so if I can get that version DRM-free, it still makes sense to me to get that above the MP3.

Sounds like the new Android phones are going to have the Amazon service built-in. Oooooh… it’s on, now.

What about you guys? Best source for music? Preferred format? I know you’ve got some thoughts, Mr. Campbell .

For this blog (as well as vgconvos, and perhaps any other blogs you read)… are you directly visiting the website, or are you reading it in some type of RSS reader (be it Google Reader, an e-mail client, or something else)? Why? Does it affect whether or not you’ll come leave a comment on a blog?

After I took a couple pictures, I started up a little conversation with them, and found out there was going to be a larger gathering of DBZ cosplayers at 12:30 pm. Awesome! Not only people of my own kind, but multiple super-nerdy people of my own kind! Once we got a little dialogue going, I figured it was as good a time as any to mention the website. I asked if it was OK to put the image up on my site, and then if they had ever checked out the DBZ podcast that we do.

Yajirobe (the one on the far left) stared at me blankly for about four/five seconds, and then replied, “What’s a podcast…?”

As the guys over at GeekNights have said time and time again, it’s all well and good that we are trying to get other podcast listeners to check out our own shows, but what we really need is for more people in general to listen to podcasts in general… not specifically our own shows. If they don’t even know what the word means, how on Earth are we to expect them to listen to our piddly shows?

What came next was the real killer. After briefly explaining that we do this cool show every week talking about what’s going on with news, in-depth topics about the series, etc., the same guy blankly stared at me again for a couple seconds and replied, “Well, I’m not that big a fan…”

I did everything I could to hold myself back from saying, “BUT YOU’RE $%#@ING COSPLAYING GOD-DAMNED YAJIROBE~!!!!1″

If you’ve subscribed to the feed for the podcast, you may have noticed something other than the first podcast episode appearing in the feed. Do you have any recommendations on how I may be able to link to an audio file within a regular blog post (such as in the “Top 10 Pokemon” post) without it actually showing up as an “episode” in the podcast feed? Any types of special “exclude” linkings?

The web of today is so different than how I first got into it… it still remains so exciting to me, but it’s just as frustrating in a whole bunch of different ways!

That’s right, I’m doing a third podcast (#1: Daizenshuu EX, #2: vgconvos.com, #3 this one). As you’ll hear on the show, this is going to be about whatever I want it to be about, whenever I want to do it, and whoever I want to do it with. I have a bunch of random topics flying around in my head that I would absolutely love to talk out with friends, and this gives me an excuse to get them over here for said topical discussions.

For this first episode, I decided that Jeff (a familiar voice to those who follow anything else I do) would be a great guy to have on. We talked about how we manage to accomplish all these various things in life… things like going to work, paying bills, going out for a walk, and all those extra nerdy things in between.

I don’t really have a whole Hell of a lot to say about it. If you’re here reading this (and listening to the episode), there’s a good chance you already know who I am and have at least a quasi-stalker-ish interest in following the things I do. If you don’t already know me…? Well, I don’t know what to tell you. I’m the most bad-ass person on the planet, and you’ll be a fan immediately. I think.

Caption, anyone?

Despite saying in my initial entry that I would be writing “semi-professional but non-corporate” material, I am going completely against that with a list of my Top Ten Pokémon. Wouldn’t this fit in better on that new video games podcast with conversations and top ten lists? Somehow I doubt either Jeff or Andrew would be down for that, so I’m all on my own. As a mid-20s Pokémon quasi-wannabe-fan, I don’t have many outlets to write this kind of stuff…!

My affection for these characters comes from a variety of places, but primarily (1) playing the games, and (2) watching the anime. There are some sub-sectors to those (the movies in Japanese, for example), but it should all make sense as you read through.

10: Chimchar (ヒコザル Hikozaru)

I’m a fire-type starter (Gen 1: Charmander; Gen: 2: didn’t play; Gen 3: Torchic; Gen 4: Chimchar), so that provides some slight bias right from the get-go. After some crappy character designs in the third generation of games, it was nice to see a return to simplistic-but-effective with the three new starters. His evolutions are neat, too (especially Infernape), but there’s something about the initial critter that I love. I absolutely adore his incarnation in the anime where he’s so emotional with Ash/Satoshi (crying, laughing, etc.) after having to hold back those emotions with the previous “owner”.

9: Lapras (ラプラス Laplace)

Lapras has such a sleek design. I was a big dinosaur buff as a kid, so that probably contributes here, too. Lapras was incredibly helpful when playing through the first generation, due to the great application of Surf (and Waterfall, to a degree). I don’t think I have a whole lot more to say about Lapras, other than that it was super-fun to try and get a great picture of the group in Pokémon Snap. I just picked up the “Orange Islands” boxset for a project I’m working on, and I’m looking forward to checking out all the footage with Lapras.

8: Snorlax (カビゴン Kabigon)

Here we have another favorite pick due to its use in the first generation. There were two of them blocking the way, and I was sure to capture both of them. Snorlax’s power was absolutely essential to me in going through the rest of the game. I also really liked Snorlax in the anime with that hippie dude and the flute that would wake him up for eating.

7: Squirtle (ゼニガメ Zenigame)

Adorable. The name puns are in full-effect here, too, and I get them in both languages! I love his attitude in the anime (sunglasses and all; first TV episodes I saw in Japanese). I’m finding him my favorite part of the Pokémon Trainer character in Super Smash Bros. Brawl, too… he’s fast, agile, powerful-enough, and fun to spin all around the stage. The character’s voice is fantastic both in English and Japanese, and I just want to scoop him up.  Let’s also not forget that he seems to be a yakuza leader.

6: Suicune (スイクン Suikun)

I’ll admit that the main reason I love Suicune is because he was the first real difficult legendary I caught (not counting Mewtwo and the three birds). In fact, I was so excited, I took a crappy picture on my camera phone and sent it to my then-girlfriend/now-future-wife. No. Seriously. I did. Look.

I later saw movie four and was happy to see it play such a large role. Suicune is just a really neat design, and I don’t know that I have anything else to say about it…!

5: Lucario (ルカリオ Lucario)

Lucario is bad-ass. He seems to be the modern replacement for Mewtwo in a variety of ways (understanding human speech and can communicate with humans; playable character in Super Smash Bros. Brawl seemingly instead of Mewtwo). He has a great design… I really like the humanoid ones a whole lot, and the spikes are a cool touch. Movie eight was the second one I saw in Japanese, so that also plays a big role in why I like Lucario so much. Daisuke Namikawa did an awesome job in the movie voicing Lucario; I’m also a big fan of him as “Koyuki” in the anime BECK, so additional admitted bias.

4: Palkia (パルキア Palkia)

Crazy looking giant dinosaur in charge of space? Sign me up. I was probably going to get Pearl, anyway, based on the version-exclusive Pokémon… but this dude clinched it for me. I think I actually used my Master Ball on him since I didn’t realize how many end-game legendaries there would be. Thankfully, I’ve been able to capture them all without too much difficulty. Palkia’s (and thus Dialga’s) music in the game is pretty awesome, and it was great to see Spear Pillar show up in Super Smash Bros. Brawl with its respective characters and themes. While I didn’t particularly love Palkia in movie ten (kind of a wuss, if you ask me…), he’s still a total bad-ass and I look forward to seeing what he does in the eleventh movie onwards.

Yeah, it was the first plushie I got, too. Sue me.

3: Pikachu (ピカチュウ Pikachu)

Not a whole lot to say. The true mascot of the series, Pikachu is adorable and endearing as Hell. Ikue Otani creates the most squee-er-ific voice I’ve ever heard in my life… so much so, that it’s actually somewhat frightening to see her do it. I love the character to death, though, and it is what prompted me to first get Pokémon Yellow on the Game Boy. A cliché choice, but an appropriate one.

2: Charizard (リザードン Lizardon)

Like I mentioned earlier, I’m a fire-type starter. Charmander was my man, but Charizard was THE man. His attitude progression in the anime (belonging to Ash/Satoshi) was a little strange… we never quite figured out why Charmeleon suddenly acted like an ass, but whatever. Again, it’s another one so high on my list that I can’t really figure out what to say for him… but I love him to death. He got me through a bunch of pinches in the first game, and even the jerk that he is in the anime would never let his owner down in his own true pinch.

1: Mewtwo (ミュウツー Mewtwo)

If a grown man in the real world could truly love a morally-conflicted, identity-confused fictional biological/genetic experiment from a fake world meant for Japanese children… that would be the case with myself and Mewtwo. The first movie was my first experience with the Japanese version of the show, and I was totally enthralled with Masachika Ichimura’s performance (despite him not doing a whole lot of other roles). In fact, I loved that voice/character and the music from the movie so much that I signed up for eBay (I don’t remember what year this was… probably 1999 or 2000) and my first purchase (from what I remember) was the soundtrack / drama CD for the movie.

It came with a book detailing “The Birth of Mewtwo”, the two discs… oh man, was it ever awesome. The samples of the vocal performance contained on the soundtrack just made me drool. I think I paid $60 for it, but it was well worth it.

While I never got far enough in Yellow to capture Mewtwo, he was my main goal when I picked up Fire Red. I made sure I got him, using my Master Ball despite knowing I might need it for additional legendaries (man, Suicune was a pain to get without the Master Ball…). He was the first one I ever leveled up to 100, and may actually be the last since I don’t see the point, not doing battles with people and all.

I think that’s actually doing to do it. I’ve been trying to waste a bit of time so I could stay up to update with the latest Daizenshuu EX podcast, and since we’re closing in on midnight here, the job has been accomplished. Big thanks to Bulbapedia for unknowingly letting me steal their little images for my own purposes. Maybe next time I’ll write about something interesting to people other than me.

This won’t be for trivial nonsense posts (you can follow the Twitter for that). I have a bunch of semi-professional but non-corporate writings I would like to do, and they just don’t really fit in anywhere else. I wanted to set up vegettoex.com as a central place to list the majority of things I’ve been involved with, and this seemed like as good a place as any to set up such a blog. I have plenty of other places I hang out online with friends and write various things, but it seems like if I’m going to be online in some position of notoriety for over ten years, I should at least have a standard blog with my alias attached to it.

This will probably stay looking like a pretty standard WordPress install for at least the foreseeable future. Since my day-job consists mostly of design/re-design/content-management work on these here tubes, it takes a lot of dedication and non-existent free-time to want to do it for personal things…! Perhaps that’s just a series of excuses to justify it for myself, but I feel it’s at least partially true.

So anyway, it’s good to have you here. Read along, subscribe, post some comments; the things I’ll be expunging from my head and writing down will be meant to be and intended as conversations. I’m very big on “conversations”. You can probably tell from the podcast I’ve already been doing for nearly three years, as well as the upcoming one with the word itself in the title (wowzers, sneak-peak of a broken website…!).

Later, all.  You know where to find me.