WTF EX

This past weekend we finally browsed around Grounds For Sculpture, an art… I guess you would call it “location”?… here in New Jersey. Their main showcase at the moment seems to be a collection from Keith Haring, whose work you would probably recognize if you saw it.

While that was neat and all (along with the bazillion strange and nude pieces littered around), only one sculpture truly caught my attention:

It was called “Monkey King“. You put those two words next to each other, and I take note. He did not look like any of the “popular” versions of Son Wukong (with his staff, etc.), but it apparently is indeed him — I guess it is from earlier on in the story when he’s just the plain ol’ “Handsome Monkey King”, and not yet quite “Great Sage, Equal to Heaven” (or, ya’ know, the dude who tends to the horses and doesn’t realize he’s being made a fool of). The piece is by Hyung Jun Yum and was made out of plaster in 2002.

Neat.

I saw this posted up at the library today and chuckled quite a bit:

What I’m pretty sure they are saying is that there is no extra registration necessary for their little Guitar Hero competition, but anyone who wants to complete must already be a pre-existing, registered member of their “Summer Reading” program.

What are your thoughts on forcing these teens to be members of the “Summer Reading” program before they can even participate in the video game competition? It seems to me that they would not even know about it unless they visited the library to see the poster in the first place, though it is possible that they heard about it from a friend, saw it on a website, etc. In any case, the library has most likely already accomplished their main goal of getting the kids to come to the building in the first place (the same way retail establishments get you into the store with giveaways or sales in hopes you will purchase something else), so why burden them with extra restrictions? Sure, some kids will show up just to play the game and ignore all the lovely books and the fascinating learning establishment that encompasses them, but is it that big of a deal? Maybe there have been issues in the past with random hooligan kids, but even random hooligan kids should have a chance to walk past some books…!

Dinner is done. Cleaned all the dishes. The wife is doing some video work. I’m done playing video games for the day, after a frustrating round of re-playing a section in 3D Dot Game Heroes due to the PS3 freezing. Already read some manga (I just read volume 16 in Bleach). Doing some preliminary post-processing on podcast audio for editing tomorrow.

Guess I’ll write a short blog entry!

So the other night I was wired on coffee in the late evening. When I’m wide awake at night and should otherwise be sleeping, I usually pop some podcasts into my ears to occupy some brain cycles — I at least feel like I’m being halfway productive if I’m listening to something. I had cruised through the most recent episode of Buzz Out Loud, and while I was not OHMYGODTIRED, I was sleepy enough to roll over and give it the ol’ college try.

Within moments, I was OHMYGODTIRED, and felt myself dozing off…

… until I, very loudly and as clear as day, heard a female voice shout “PRINTER!” what felt like directly into my ears, which shook me away in a rather large bout of fright.

It certainly wasn’t the wife. My bet is on aliens.

It has been over a year since I last wrote about and shared how the magic of podcasting goes down at Casa de EX. A lot has changed since then, but I just have not gotten around to writing up a new version. Our buddies over at the Unofficial One Piece Podcast asked the other day what we were using for a mixer, and when I pointed over to that blog entry, I realized just how out-of-date it was!

So here we go. I am happy to present to you the ~2010ver.~ of “My Podcasting Setup“. As always, I do not claim to actually know what I am talking about. I am probably wrong with much of what I do, and writing about how I accomplish it is most likely only perpetuating bad habits and sharing mis-information.

Oh, well.

I have killed two computers over the course of doing the show for Daizenshuu EX. First I blew the sound card in our Shuttle, and then its power supply died. Both are easy fixes, but it just sits over there on the other desk because I have been too lazy to open it up. Once that went down, I shifted over to using Meri’s old desktop from ~2000/2001 as a secondary recording rig. I tossed Ubuntu on it, and as described in the prior article, I used it to line-out for a dedicated Skype track recording.

All that is old hat.

Over on the Mac, Jeff uses a great application called Übercaster to record us locally and any extra, isolated audio tracks (such as Skype, bumper music, etc.). I’m running a standard ol’ Windows XP install both on my desktop and my laptop, and I have gone with a little Skype plug-in called Call Graph. It just works. When running alongside Skype, it automatically records the entirety of a call once one begins, recording your own audio in the left channel, and the other side (be it a single person or a conference call) in the right channel, spitting out a stereo WAV (or MP3) the instant you conclude the call.

Near as I can tell, though, it only records at 11 kHz — even if you tell it to record a 44 kHz MP3, it still records an 11 kHz WAV which it then converts to a 44 kHz MP3. This… is mostly serviceable. When you have folks like Julian who are just running a standard Logitech headset, anyway, the frequency of the audio file is not really taking much more of a hit than it already is due to the hardware. When we are done recording, I take the WAV into Audacity, split the stereo audio track, delete the left channel (myself), tell the right channel (Julian) to act as mono, and export the new, entirely-isolated audio track. Voilà.

(If I am recording with someone who knows what they are doing, I sometimes just have them record locally on their own end and send me their final audio once we are done recording… though I always am recording a back-up just in case.)

What about my own, local track, though? That I do not allow Call Graph to handle — I still record in Audacity at my standard mono, 44 kHz dedicated audio track. The two tracks (my own local track + Skype track) are easy enough to line up in Audacity for editing later on, either through a “1, 2, 3, clap!” or just from doing this for five years and understanding how a conversation is supposed to sound.

I still use a combination of Levelator and Audacity’s built-in noise removal for my post-processing — nothing special there. I am also stuck in my own ways by using Adobe Premiere to line up the segments with their respective bumper music tracks for the final mixing and export. I just really like the block-based dragging and snapping for that final step, I guess.

With that in mind, though, let us turn back over to the hardware.

The driving force behind everything is still my Behringer Eurorack UB802 (~$50-60) mixer. It is a great, compact little guy with two XLR inputs, phantom power support, decent gain/volume control, plenty of line-in and out support, etc. The UB802 seems to go through phases of being available versus unavailable, but the standard Behringer 802 (~$60) is something I picked up for Jeff over the last holiday season, and it is essentially identical to my own.

The main difference these days is that I have indeed jumped over to using a USB device to grab out the audio, rather than running an analog RCA-to-1/8-inch line-in cable. The Behringer U-Control UCA-200 actually came with the (larger) mixer that I use at work. It is their standard pack-in version with mixers, but the stand-alone UCA-202 (~$30-35) is what you will typically see for purchase online. I had spoken before about how the device takes over as the entire sound device for the computer — for example, I was unable to listen to the audio I just recorded through my headphones while it was plugged in. Once I stopped being an idiot and looked around a bit, I found that I could tell Audacity to still use the internal sound card for playback and use the U-Control device for recording, allowing me the same convenient usage I had always experienced.

For any recording where we need more than two local microphones (such as a “Manga Review of Awesomeness” or something for vgconvos), I no longer daisy-chain the RadioShack mixer into the Behringer. Instead, I have Jeff bring over his 802 and daisy-chain that into my mixer. We use the same process of RCA cables going from “Tape Out” on his to “Tape In” on mine that would have been used from the old RadioShack mixer, but now it is done with higher-quality equipment. It still introduces extra analog noise that I would rather not have to deal with, however. I have my eyes set on the Mackie 1202-VLZ3 (~$300) mixer with its four XLR inputs and non-Behringer, genuinely-high-quality parts. Behringer stuff is “OK”, but I have had a few issues here and there with the mixers to the point where I probably will not buy their stuff again.

Over on the microphone side, things are still pretty much the same… with the exception of what holds it for me. I am personally still rocking the MXL 990 condenser microphone (~$50-70), though these days it is supported by a boom stand. I am fairly certain it is the Samson BL3 (~$30), due to it not coming with a mic clip… but I no longer have the box to double-check that. Whoops. Sorry. The MXL 990 is just a tad bit heavy for it, but adjusting the three-legged support and balance of the boom extension will grant you just the right placement for comfort and not-falling-over-ness.

The main reason that the microphone is hanging on its side is because I accidentally stripped the screw-tightening mechanism for the shockmount, and have not felt like spending the money for the replacement MXL-90 shockmount (~$35) just yet. When you can buy the microphone (which itself comes with a shockmount) for just a couple bucks more, it is difficult to build up the desire to spend money to replace one that is just hanging on its side and not entirely broken.

Meri is still rocking the Shure 8900 dynamic microphone ($50). It is quite the handy mic to have around, since its included XLR-to-1/8-inch audio cable plugs in to the video camera I use at work, giving me a choice of a either a lapel mic or a hand-held mic. I double-wind-screen for Meri since her “pphf” sounds are a little harsher than my own. She is also still rocking the RadioShack “Heavy Duty Microphone Stand with Cast-Iron Base” (~$30), though it may be time to upgrade her to the Samson boom stand — they are just so nice to have! Comfort galore!

I guess the last thing to address is live recording and broadcasting that we occasionally do. Lately we have been using Stickam for no particular reason above any other service. We tend to broadcast Lo-Fidelity live more than anything else, mainly because it is just the two of us in one local recording area, so anything that happens can be broadcast with no extra effort — everything is right there in one place. When you start tying in things like Skype streams… sure, it can be done, but it requires more effort than it is really worth for such a budget setup like our own. Live recordings typically have two computers: one is a standard podcasting station like any other show, and the second is usually my laptop running the webcam. Our mixers have the “Tape Out” / RCA output that we typically use to output to the computer, but there is also the “Main Out” — I run a variety of cables and cord adapters to get that 1/4-inch stereo output down to an 1/8-inch plug. This runs to the line-in on my laptop, mirroring the exact same sound that is otherwise heading out to another computer for the main podcast recording. Sure, there is some (negligible) extra noise being introduced/lost going through all those adapters, but since that particular stream of audio is exclusively going to the live broadcast (and not the archived version for editing/release), it is not that big of a deal.

The next upgrade is going to be the room in which we record. Since moving into the new house, all recording has been done up in our loft. This is where we keep the computers, the old TV, CDs, DVDs, etc. It is a fantastic location (minus all the cat destruction, like my poor chair), but it is in a very open area. Sound bounces all over the place. When we have any more than two people, it starts sounding very “airy” in the recording, both due to the number of people (and thus the number of mics to adjust and compensate for) and the voices bouncing along the ceiling and down to the living room.

We have a finished basement with several rooms. Right now, “the brown room” (which is the second room off the main area) is a disaster of storage space. Boxes, appliances, and assorted things of nothingness take up all the space. It is perfect for a little recording studio, though. It is just the right size, the walls are not tall, the door can be shut… lovely!

Our Wi-Fi reaches down there, and since an entire show can be done with just one computer, there is nothing stopping me now from cleaning up that space and creating a great little recording studio in my basement. I might even get some extra sound-proofing padding for the walls… can you imagine how hot looking that place is going to be?! Speaking of “hot”, that is another perk to setting up shop in the basement — heat rises, and our loft starts boiling in the summer. The basement? Cool as can be!

I think that more-or-less covers how everything is rolling right now. Does anyone have any questions about any aspect, or better yet, suggestions on ways to do things even better? Specific articles to read to bolster some mad audio skillz? I still consider myself a total audio n00b, though I think I have a couple other skills that I have picked up over the last couple years that at least helps put together some decent shows…!

I ask this question both of myself (to try and answer in an actual blog post… how fascinating!), and also of you all, dear readers. What does make a blog entry “good”…?

One thing to keep in mind is that I am not talking about a “blog” from a personal standpoint. This is work-work related (as opposed to hobby-work related), so the goals and methods will be slightly different. Are there any “professional” blogs that you follow? If so, what aspects really drag you in?

Here are a couple of my own thoughts:

Authoritative Tone
You know me well, by now — any writing that I do very purposefully takes on a tone of authority. If you simply act as if you know what you are talking about, it is all the more convincing! This is not something I am too concerned about, since the folks I will be calling on for articles have that authority… and I am the final word, anyway, so I get to copy-edit anything that needs it.

Be Personable
What makes a “professional” or “corporate” blog different from a standard press release is not just the tone, but the delivery. There needs to be a real voice. It can be a fine line walking between conversational and professional, but it can and should be done. Guest writers of relevant notoriety can be a huge help in lending a personable, yet authoritative, tone.

Outbound Links
Again, you know how I operate! If there is a source, it must be cited. Providing links to something other than your own website shows that you live in the real world and acknowledge that other people have ideas and opinions.

Make a Statement With the Post Title
It is a little basic, but it is true — grab the reader’s attention.

Know Your Goals
What do you want to actually accomplish with this blog? Do you want readers to comment? You need to ask them a question each time, then. Do you want to be picked up by news media? Be sure to mention your blog in conversations and other cross-promotions, have it readily accessible from your navigation… all the good ol’ regular stuff.

Maybe the best question to ask is: what makes a bad blog entry? What are some tell-tale signs that something is “off” and perhaps not credible, researched, authoritative, and even worth your time? Things like grammar and aesthetics (while important) are blatantly obvious, so we can skip past those!

Time for another crazy cat story.

So our little cat, Tara, has this fuzzy red/white ball toy that she loves. She likes to fling it around through the air and go chasing after it. She has even become slightly dog-like and will play fetch to some degree, depending on how lazy she is about bringing it all the way back to your feet.

There’s one big problem, though. When she picks this toy up in her mouth and wanders around, if there is no-one to take it from her, she will emit this incredible howl to get attention… while it’s still in her mouth. She’s a very vocal cat, anyway, so that’s not entirely surprising. It’s just a horrendous noise, is all, and one you can hear from anywhere else in the house.

(MP3 sample from latest vgconvos recording; bit.ly re-direction)

I mean, she’s super cute… but there’s a reason why we tend to hide the toy at night. Those 3 am howls don’t help the sleeping, much.

I was browsing through some YouTube comments again (I know, I know…), and noticed my video “Never Fall Apart” also uploaded on someone else’s account. I can’t really stop that, and don’t particularly care, either… but I was curious about the comments it might have, so I clicked through. For the most part, they’re the usual “I love it!” or “I can’t find this song on Limewire please send it to me for free because I’m an entitled little nitwit!“, but something stuck out to me even more than that:

It’s such a shame. I share no pleasure in detailing the news that vagettoEx is banned. I don’t exactly know who he is or why he’s banned from whatever he’s banned from, though. Just figured I’d pass along the word.

I just saw this report over on the Centers for Disease Control and Prevention website talking about the cancellation/removal of land-line phones in favor of cell-phone-only service. We are apparently at a point where one-in-five American homes have removed their plain ol’ telephone service in favor of exclusively using cell phones. The wife and I have been this way since 2004 when we moved into our first apartment, and continue to be this way in the new house. In addition to that, we also canceled our cable television service shortly before moving, and continue to operate with no traditional television service.

You know what? Things are just fine.

In terms of telephone service, it makes complete sense to abandon the land lines. While the quality of cell phone calls still leaves a lot to be desired, it suffices more than enough for my phone conversation purposes, which typically do not last longer than one minute unless I am calling my parents. If I am on the road or otherwise out and cannot be reached, my simply not answering the phone is exactly the same thing as someone calling me and not being home to pick up the phone. Combine that with text messages that completely replace voice mail in terms of disseminating tiny bits of information in quick, easily-digestible form… well, you’ve got a winner.

As for television, it is equally fine without it. We have enough things to keep us busy after the move that we have no time to just sit around and mindlessly watch television, anyway. Once things settle back down a little bit (which they are already beginning to do), we still have more than enough viewable-passive-media to keep us entertained until the ends of time without needing to obtain anything else. Throw video games into the mix, and I have a hard time understanding why I would ever actually need cable service on my television. In fact, the word “television” does not accurately describe that 50″ Kuro in my living room now, since everything from that to the “old TV” to the computer monitors are really nothing more than display surfaces of varying sizes and aged technology. Whether it’s a video game, a DVD, a Blu-ray, episodes downloaded online and burned to DVD+RW for viewing on the PS3 or 360… all of these display surfaces act in exactly the same way without needing to pay someone to be constantly broadcasting a live signal to them which I have no interest in tuning into, anyway.

I will admit there is a strange sort of “learning curve” to not being able to just sit down, hit a power button, and expect an in-progress video. Everything must be manually initiated. In the long run, I prefer this. Beyond the cost savings, I find that I gain precious minutes here and there that might otherwise be spent mindlessly flipping channels before realizing there is nothing to watch and starting up some other activity. Now-a-days, I just go right into whatever that “something else” would have been.

I’m constantly reminded of that Seinfeld episode where Kramer wants to cancel his mail. Can we do that, yet?

I am going to be doing a little presentation next week at a luncheon at an organization regarding children being online and social networking. The focus is keeping them “safe” in some sense, but it will be more along the lines of just being aware of what is out there, how to keep tabs on it, building the necessary vocabulary to understand it, etc.

I think the big thing I am going to harp on is just helping people understand why people join these sites and do the things they do. Once you understand the why, everything else falls into place. As far as I can tell from observation and my own personal experiences, the main reason is just selfish validation. What I mean by that is that people are using these sites basically for the purpose of having their own existence justified and validated by receiving positive feedback. Whether it’s Digg promoting things, Facebook with the “like” button and status update responses, Twitter and getting responses to tweets… everything is intended to be a virtual pat on the back to just prove that you exist.

While narcissism extends far into adulthood, there is no denying that it is far more prevalent among children (especially teenagers) and their rebellious age. It is always about finding your place, understanding where you fit into the world, blah blah blah.

What does everyone think about this? Would you describe it differently? What other reasons do people have for joining and participating in these social networking communities?

On March 20th, I received an e-mail from Meritline.com that the pair of digital audio cables I had ordered from them were on their way to me in the mail.

On March 23rd, I came home to see the standard orange/pink-ish slip the post office leaves when they have a package that will not fit in the mailbox that they attempted to deliver (but would not just leave on the porch for whatever reason). I could take this slip to the post office to pick up the package.

On March 27th, I placed an order on Amazon for a new microphone, XLR cable, and windscreen.

On March 28th, Amazon e-mailed me to tell me that the XLR cable and windscreen had been shipped (the microphone would come separately).

On March 30th, I finally had a chance to go down to the post office with my slip to pick up the package with my digital audio cables. I went there directly after work without first stopping off at home. I handed the slip to the nice lady behind the counter, she gave me a box, and I went back out to the car. As I walked to the car, I remembered that the slip had said “oversize envelope” as a description. I was holding a box. I opened the box to find the windscreen and XLR cable. I walked back into the post office and explained to the lady that I was pretty sure I had another package there waiting for me. It was impossible for the slip that I had just brought in (received on March 23rd) to be for an item that had not yet even been ordered at the time (March 27th). The now-sassy lady dismissed me away saying I would have another slip if I had another package, and she walked away without checking for me.

There was another slip in my mailbox upon returning home, this one (obviously) being for the XLR cable and windscreen, which I had just picked up.

I really hope when I go back to the post office that there is a different person working there. I suppose as long as I have a slip with my name and address, they will just give me whatever package matches that name and address.

But seriously. Logic, people. C’mon.